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Large Roman building found in Swiss gravel pit
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Archaeologists have discovered a large complex of stone walls from the early Roman Empire in the Äbnetwald gravel quarry in central Switzerland. This is the first time in nearly a century that the remains of a large Roman stone building has been found in the canton of Zug.
The first walls were discovered at the beginning of the year in an excavation of the gravel mound near Cham-Oberwil. The gravel mound has been quarried since the 1990s and archaeologists have been investigating the newly-exposed top layer for potential findings since then. The archaeological team has now uncovered more than 5,000 square feet of a building complex with multiple rooms.
In addition to the architectural remains, archaeologists unearthed fragments of artifacts. Among them are pieces of utilitarian objects (bowls, millstones, workmanlike amphorae that held food staples like wine, olive and the infamous garum fish sauce) as well as more luxurious objects like imported terra sigillata dishware and blown glass vessels. There was also a single fragment of gold that likely was originally part of a piece of jewelry. These artifacts were not produced locally and thus bear witness to the reach of Roman trade networks.
The team also found bronze and copper coins, and one silver denarius struck by Julius Caesar in 49-48 B.C., shortly after he crossed the Rubicon and took Rome when Pompey, both consuls and much of Roman Senate fled the city. The coin has an elephant stepping on a horned serpent on the obverse and religious implements on the reverse. Caesar had his name stamped under the elephant. He struck what is now known as the “elephant denarius” with his military mint using silver from the treasury, obviously without approval of the Senate.
It is unclear what the function of the building was. The remains of several villa rusticas (country estates) have been found before, and the presence of high-end terra sigillata and glass vessels suggests elite people visited or lived at the site.
“We were also amazed that the top bricks were even visible above ground”. Christa Ebnöther, Professor of Archeology of the Roman Provinces at the University of Bern, puts it this way: “Only a few structural relics of this kind from the Roman period are known in the pre-Alpine region – in contrast to other regions. What is also astounding is the relatively good preservation of the remains». The entire extent of the Roman buildings in the Äbnetwald is not yet known. […]
It is not surprising that the Romans chose the elevated position near Äbnetwald as the location for their buildings. It offered an excellent view and overview of the surrounding landscape, which served to supply water and food. The fact that the gravel hill near Oberwil was already inhabited several thousand years before the Romans came, testifies to the attractiveness of this location.
* This article was originally published here
Seamus Heaney: Digging through Nobel Prize winner's legacy
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Seamus Heaney: Digging through Nobel Prize winner's legacy
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Hydration Aids Weight Loss: Discover 3 Crucial Benefits Of Drinking Water For Shedding Pounds
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Jamie Crick: Radio broadcaster dies at 57
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Duke of Wellington: Is the statue's new hat a parting gift from Banksy?
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3,000-year-old priestly tomb found in Peru
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Archaeologists have unearthed what they believe is an elite priestly tomb at the Pacopampa archaeological site in the Cajamarca region of northern Peru. It dates to the Pacopampa I phase, ca. 1200-1,000 B.C.
The tomb consists of a large circular pit ten feet in diameter and 3.3 feet deep. The body was placed at the bottom of the pit, his legs partially flexed, with small spherical ceramic bowls incised with geometric designs, a carved bone spatula and other offerings, including a seal in the shape of a hand. He was then buried under six layers of black soil mixed with ash.
Two more seals were found in the upper strata along the edges of the tomb. One features an anthropomorphic face design facing east; the other a jaguar facing west. Archaeologists hypothesize that the seals were actually paint stamps, used for the body painting exclusive to the Pacopampa elite.
“He is one of the first priests in the Andes to have a series of offerings,” [archaeologist Juan Pablo Villanueva] said, adding that “the funerary context is intact.” […]
“The find is extremely important because he is one of the first priests to begin to control the temples in the country’s northern Andes,” Japanese archaeologist Yuji Seki, who has been working at the site for 18 years, told AFP. […]
Seki said the find helped demonstrate that even that long ago, “powerful leaders had appeared in the Andes.”
* This article was originally published here
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Anna Wintour: Vogue editor says 'art scene is so important' to UK
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Salif Keïta: 'Golden Voice of Africa' supports Mali's coup leaders
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Rich Merovingian warrior grave found in Ingelheim
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Archaeologists excavating an early Medieval cemetery in Ingelheim, Germany, have unearthed the intact grave of Frankish warrior from the 7th century. Found between two looted graves, the warrior managed to escape his neighbors’ fates and keep the rich furnishings buried with him for 1,300 years.
The grave contained the skeletal remains of a man between 30 and 40 years old at the time of death. The position of the shoulders — close together and slightly raised — is known as coffin posture, evidence that the man was buried in a wooden casket of which no traces survive today. He was buried with a full complement of weapons. A spatha (double-edged sword) with a blade 30 inches long (the whole sword including hilt and pommel is 37 inches long) was placed under the deceased’s right arm. The blade is in excellent condition and even retains some of its original flexibility. Elements of a bronze scabbard and the suspension mount or belt also remain in place.
By his left arm was a broad seax (short slashing sword). The blade and bronze rivets from the scabbard survive today. The grave also contained a knife, lance and a shield. This exceptional array includes virtually all of the weaponry in use by the elite warrior class of the era; only a bow is missing to complete the set.
The flat shield boss with a wide rim and the massive design of the seax suggest the burial dates to the 7th century identifying the warrior as Frankish. That preliminary assessment may change once the weapons are cleaned and conserved. There are details of the ornamentation, including what appear to be silver inlays, that are currently obscured by a heavy coating of corrosion materials.
Excavations of the burial ground began in 2015 and come to an end this year. Most of the graves were pillaged centuries ago, so this rich discovery is of great archaeological import. Study of the weapons and analyses of the osteological remains promise to shed new light on Merovingian-era society in Ingelheim.
* This article was originally published here
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Neolithic mussel shell dragon unearthed in Inner Mongolia
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Archaeologists have unearthed a Neolithic dragon figure made of mussel shells at the Caitaopo Site in Chifeng, in north China’s Inner Mongolia Autonomous Region. It was meticulously crafted by the Neolithic Hongshan Culture (4700-2900 B.C.) which is known for producing some of the earliest examples of carved jade, including a C-shaped jade dragon that has become emblematic of the Hongshan Culture.
Found in the southwest corner of a house at the Caitaopo Site, the piece is eight inches wide and combines several different shells arranged together seamlessly to form the entire body of the dragon from head to tail. Also found in the same archaeological layer of the dwelling were pieces of cylindrical grey pottery, one with a line pattern decoration and another with a lettering pattern. The pottery dates the house and the dragon to the early period of the Hongshan Culture, making it much older than the iconic jade dragon which was previously believed to be the oldest known representation of a dragon on the archaeological record.
It is very different from the stylized, abstract representation of the C-shaped design. It is more realistic in its minute details, with everything from the teeth to rhombic scales on the tail carved into the shells’ surfaces. The mouth is short and side. A pierced circular hole represents the eye under the dragon’s forehead. There are four more circular holes where the tail and lower body meet. Archaeologists believe the parts may have been connected by a string threaded through the holes.
These dragons, while artistically different, also differ in the archaeological contexts of their discoveries. The jade artifacts previously unearthed, belonging to the Hongshan Culture, were predominantly found in locations that suggest their association with high-grade ritualistic practices. These places were likely of significant importance, possibly serving as ritual buildings or sacred sites.
In contrast, the mussel shell dragon, given its unique composition and the location of its discovery, seems to hint at the spiritual beliefs of people residing in lower-grade settlements. This distinction underscores the cultural diversity and societal stratifications of the Hongshan Culture, presenting a richer tapestry of their way of life, beliefs, and rituals.
The mussel shell dragon has been extracted from the site in a soil block so it can be micro-excavated in laboratory conditions by expert conservators.
* This article was originally published here
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Bob Barker, who hosted The Price Is Right for 35 years, dies aged 99
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Second polychrome mural reveals ancient date of Huaca Tomabal
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A second monumental polychrome mural has been discovered in the excavation of Huaca Tomabal in the Virú province of northern Peru’s La Libertad region. The new discovery greatly advances the estimated date of the temple. It was previously believed to be about 3,200 years old. The second mural dates the Pre-ceramic period between 4,000 and 4,500 years ago, making it the oldest polychrome painting recorded in the La Libertad region.
The first mural was discovered in 2020 after farmers seeking to expand their avocado and sugar cane fields illegally bulldozed 60% of the mound. The destruction of cultural heritage was reported and an emergency archaeological intervention ensued. The area was declared a protected site and the polychrome mural was stabilized in situ.
At the time of the first intervention, archaeologists thought the monumental mural was painted by the Cupisnique people of northern Peru who used a conical adobe type also found in the wall. That would have dated it to about 3,200 years ago.
Three years later, archaeologists returned to the site for a new intervention. The excavation revealed a second monumental mural on the north side of the huaca. The new mural is almost 10 feet tall and features triangular shapes painted in red and a central figure adorned with scrolls and waves. It is thought to be a stylized depiction of a mythological character (the first mural is believed to represent the spider god), but which character is unknown.
“The objective of this excavation unit was to define the northeast corner of the enclosure that had been destroyed, which in 2020 allowed me and archaeologist Regulo Franco to find a polychrome wall featuring an anthropomorphic character from the Cupisnique period, as we thought first, but it is much older,” [Feren Castillo Lujan, head of the Viru Valley Archaeological Project,] remarked.
“Indeed, we have confirmed that it (the enclosure) has a curved corner. Besides, the wall is polychrome. There is clear evidence that the wall continues down into the ground, since what we see is only a part of the mural,” he added.
The researcher explained that, according to the building tradition —in which truncated adobe bricks and their variants stand out, as well as the absence of ceramics— it can be concluded that this is a temple dating to the Pre-ceramic or Late Archaic Period….
The curved corner is one of the characteristic architectural elements of Pre-ceramic period ceremonial temples. The other common element found in Pre-ceramic temples is a central interior hearth. Archaeologists hope to uncover the hearth of Huaca Tomabal in future excavations, but they need more funding to continue.
* This article was originally published here
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Leeds Festival: Billie Eilish brings Barbie to life during cathartic headline set
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‘Wahhābism’ by Cole M. Bunzel review
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Roman temple found in Plautus’ hometown
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A Roman temple has been discovered in the town of Sarsina in the northern Italian region of Emilia Romagna. Excavations have uncovered the remains of a large quadrangular structure dating to the 1st century B.C. Massive horizontal lines of cut sandstone blocks, coeval with the sandstone slab flooring of the nearby forum, formed the podium on which the ancient temple once stood. Those walls are gone now, but the cut stone bases are in excellent condition, with more than nine feet of height still preserved.
Sarsina was a settlement of the Italic Umrbi people. It was conquered by Lucius Cornelius Scipio (grandfather of the Scipio who would finally defeat Carthage in the Second Punic War) around 266 B.C. Fifteen years later, Sarsina’s most famous son — the comedic playwright Titus Maccius Plautus — was born there. When it became a Roman municipium in the middle of the 1st century B.C., it was reorganized and rebuilt according to Roman urban principles. A new defensive wall was built at that time, and the new temple as well.
The archaeological investigation of the temple site indicates that it was dedicated to the Capitoline Triad, the gods Jupiter, Juno and Minerva. Many cities in Italy had Capitolia, mirroring the first one built on the Capitoline Hill (hence the name) in Rome. They were often built on a high point of the town, as is the case here. The temple’s remains consist of the podium clad in marble slabs and a water drainage system, but there is evidence there was an earlier temple of the Umbri at the site dating to the 4th century B.C.
Excavations are ongoing. The front of the temple has yet to emerge. Archaeologists hope to find the remains of the front staircase to the podium and the marble pavement. Plans for a new sports facility with adjoining shopping center at the site are currently suspended while the archaeological investigation continues.
* This article was originally published here
Gaslighting and shame: Uncovering the stories of Ireland's Magdalene Laundries
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Gaslighting and shame: Uncovering the stories of Ireland's Magdalene Laundries
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DNA extracted from 2,900-year-old clay brick
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In a scientific first, researchers at the University of Oxford have successfully extracted ancient DNA from a 2,900-year-old clay brick. Ancient DNA is difficult to extract even from sturdier bones and teeth because it fragments over time and is easily contaminated. It has never before been successfully extracted from clay. Protected from contamination in the middle of the brick’s mass, the DNA survived in sufficient concentrations to reveal the presence of 34 different kinds of plants.
The brick was recovered from the North-West Palace of Neo-Assyrian king Ashurnasirpal II (883–859 BCE) in the ancient city of Kalhu, modern-day Nimrud, northern Iraq. A cuneiform inscription in Akkadian labels it “The property of the palace of Ashurnasirpal, king of Assyria,” which narrows down the date of the brick to between 879 and 869 B.C.
It was discovered during the archaeological excavations at Nimrud in 1949 by British archaeologist Max Mallowan and his wife, mystery writer Agatha Christie. (I read Murder in Mesopotamia on a plane when I was a kid and not to state the obvious, it had a very deep impact on me.) The brick was donated to the National Museum of Denmark in 1958.
The brick was made from mud collected on the banks of the Tigris river. It was then mixed with plant-based materials (for example straw) and animal dung and shaped into a brick for sun-drying. Because they’re dried in the sun, not fired in the high heat of a kiln, mud bricks are hard and strong enough to build towering walls out of, they are also inherently fragile. When the brick arrived at the museum it was broken horizontally in two pieces. It broke again in 2020, a vertical split in the bottom half, which gave researchers the unique opportunity to take samples of the brick’s uncontaminated inner core.
The presented study uses a modified protocol that has previously been applied to materials such as bone, considering that clay samples are porous with high affinity towards nucleic acids. This required a gentle approach to extract the aDNA without degrading it further by applying harsh treatments. The applied method was successful in extracting plant DNA from the samples of a clay brick.
Geneticists worked with Assyriologists, archaeologists and biologists to compare the DNA findings with botanical data from Iraq and from descriptions of plants in ancient Assyrian sources.
Through extraction and sequencing of aDNA from the clay brick and the following data analysis, we were able to detect 34 unique taxonomic groups of plants representing the order Laurales as well as seven distinct families from other orders: Apiaceae (subfamily Apioideae, tribe Selineae), Betulaceae, Brassicaceae (including the genus Brassica), Ericaceae (including the subfamilies Ericoidae and Vaccinioideae), Poaceae (tribe Poeae and Triticeae), Fagaceae (genus Quercus), and Salicaceae. […]
The most abundant sequences of plants were from the families Brassicaceae (cabbage) and Ericaceae (heather). Furthermore, contributions were observed from the families Betulaceae (birch), Lauraceae (laurels), Selineae (umbellifiers) and Triticeae (cultivated grasses).
The study has been published in Nature Scientific Reports and can be read in its entirety here.
* This article was originally published here
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Slave quarters reconstructed in Civita Giuliana
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The furnishings of a room assigned to slaves in the grand suburban villa in Civita Giuliana, a half-mile northwest of the city walls of Pompeii, have been reconstructed in plaster. Using the plaster cast methods pioneered at Pompeii in the 19th century, the contents of the room were recreated from the cavities they left after they were encased in volcanic material and decayed while the ash hardened.
The room, labelled Room A, is different from the one in the same villa, Room C, that was discovered in 2021. Room C was an active storage closet with three cots thrown in for rudimentary accommodation. Room A had two beds. One of them was a cot like the ones in Room C, with a net mounted on a wooden frame. It could be easily dismantled and moved.
The other was a bed with a mattress and headboard, significantly more expensive and comfortable. The remains of the wooden headboard and sideboards that enclosed the bed like a snug are still in place. Some of the red paint decorating the wood panels has survived. The mattress has not, unfortunately, and it wasn’t Vesuvius that destroyed it. That’s the handiwork of looters when tunneling through the hardened ash looking for saleable treasure.
A bench and two small cupboards in the room were also cast in plaster. Some of the contents — metal objects, a knife — were found in the cupboards. Amphorae in the corner and three chests on a high shelf on the walls of the room indicate this space was also used for practical storage purposes. Various tools, including an iron hoe, were kept in the room as well.
Meanwhile, Room C continues to reveal new information. Micro-excavations of the amphorae found in the room have uncovered the skeletal remains of rodents: two mice in one amphora and a rat in a jug found under one of the cots. Apparently the rat jumped sought shelter in the vessel during the eruption.
“These details once again underline the conditions of precarity and poor hygiene in which the lower echelons of society lived during that time,” the culture ministry said in its statement.
There were no traces of grates, locks, or chains to restrain the room’s inhabitants.
“It seems that control was primarily exerted through the internal organisation of servitude, rather than physical barriers and restraints,” said Gabriel Zuchtriegel, the director of the Archaeological Park of Pompeii.
* This article was originally published here
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Swedish National Museum acquires iconic portrait of Count Fersen
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The National Museum of Sweden has acquired an iconic portrait miniature of the 28-year-old Count Hans Axel von Fersen (1755–1810), Swedish diplomat and lover of Queen Marie-Antoinette of France. Long held by descendants of the Fersen family, it went under the hammer in June and sold for 8,376 EUR ($9,112), three times its pre-sale estimate. As with the gold box with a portrait of King Gustavus III, the museum was able to acquire the miniature thanks to a donation from the Anna and Hjalmar Wicander Foundation.
The portrait is a bust from the left with Fersen’s face turned towards the viewer. He wears a grey coat with a striped red waistcoat peeking out of the lapels. It is a gouache watercolor painted on ivory and mounted in a brass frame. Mounted in its frame, it is a rectangle two inches long and 1.7 inches wide.
The painter in unknown. A handwritten note on the back attributes the portrait to Peter Adolf Hall, a Swedish-French miniaturist who painted several members of the royal families of France, both before and after the Revolution. The National Museum, however, notes that it was painted in London, not Paris, when Fersen was in England in the summer of 1778. The distinctive combination of lines and pointillistic shading in brown shades is characteristic of English portraiture of the period, not French. There are very few portraits of Swedes done in England by English artists in the second half of the 18th century, and none where the sitter is so famous.
Why did the young Fersen commission this portrait of himself during his time in London? Did it have something to do with his intended marriage to Catharina, the daughter of Henrik Leijel (Henry Lyell), a wealthy Swedish-British merchant? Nothing came of this prospective marriage of convenience. Instead, Fersen returned to Paris and embarked on a military career. Two years later, he travelled to North America as aide-de-camp to the head of the French expeditionary force, General Count de Rochambeau. Fersen’s knowledge of English proved very useful in this role, since General George Washington did not speak French. For three years, Fersen acted as interpreter between the allies in their war against the British colonial power. […]
Magnus Olausson, emeritus director of collections at Nationalmuseum, said:
“The portrait of the young Axel von Fersen represents a rare interlude in 18th-century Swedish-British relations. As far as we know, few Swedes were immortalised by British artists in those days.
This iconic portrait of Fersen is an unusually fine work by an unknown British miniaturist, in a style somewhat reminiscent of stipple engraving, which was the great innovation of the time.”
* This article was originally published here
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Archaic artifacts found at Helike temple site
By: SGK ADVERTISING ADDA on August 20, 2023 / comment : 0
Rare artifacts from Greece’s Archaic Period have been discovered at the ancient sanctuary of Poseidon in Eliki, southern Greece.
Eliki, also known as Helike, was found in the Late Bronze Age Mycenaean period (1600-1100 B.C.). According to legend, it was founded by Ion, the founder of the Ionian tribe of Greece, who named it after his wife. The city’s patron deity was Poseidon Helikonios, god of the ocean and of earthquakes, and a famous sanctuary to the god drew worshippers throughout the Archaic (750-479 B.C.) and Classical (479-323 B.C.) periods.
Helike was destroyed by an earthquake and subsequent tsunami in 373 B.C. The city was submerged and its ruins remained visible under the waters of the Corinthian Gulf for centuries. It was a popular tourist destination for Roman travelers who toured its streets and statuaries from boats sailing above the submarine city. Ancient writers including Eratosthenes, Aelian, Seneca, Marcus Aurelius, Diodoros of Sicily and Pausanias visited the ruins and wrote accounts of Helike’s tragic fate. The submerged ruins were visible in the area until the 9th or 10th century. They were eventually buried under layers of river sediment.
The Poseidon sanctuary complex was the center of the ancient city. An arched temple that dates to 710-700 B.C. has been unearthed in recent excavations, as has an altar made of rough-hewn bricks that dates to the 760-750 B.C. This season’s excavation focused on the area north of the arched temple, exploring the remains of two more buildings and uncovering evidence of religious activities going back to the 9th century B.C.
One of the newly-unearthed buildings is an apsed temple that dates to the 8th century B.C. It is oriented north-south, unlike the apsed temple from the end of the 8th century that is oriented east-west. The other building is a temple-shaped structure dating to the 7th or 6th century B.C. Archaeologists found the stone foundation of the temple and four-sided bases believed to have belonged to the temple’s central colonnade. The floor is made of rammed earth.
A large amount of pottery and other objects from the Archaic era (8th and 9th centuries B.C.) were found there, left as votive offerings to Poseidon. Recovered artifacts include a clay female figurine, clay chariot wheels, the bronze figure of an animal archaeologists think may be a dog but looks like a horse to me (Poseidon was worshipped in horse form too, which was the whole reason the Trojan Horse ruse worked), the bronze head of a snake, bronze buckles and pins and a gold bead from a necklace that is a very rare find.
Copper and clay figurines, which served as offerings to the god, are thought to confirm that this was the famous site of worship of Helikonian Poseidon, but also suggest that a second deity was also worshiped at the same sanctuary.
This second deity is expected to be identified after further study of the new finds.
* This article was originally published here
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3rd c. B.C. gold coins found at Carthage sacrifice site
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A group of five rare gold coins from the 3rd century B.C. have been discovered during excavation at the Tophet cemetery and temple in the suburbs of Carthage in Tunisia. Archaeologists from the National Institute of Heritage in Tunisia also unearthed stone funerary markers and urns containing the remains of infants and animals, some combined in the same vessel.
The gold coins are just under an inch in diameter and bear the image of the goddess Tanit, the Punic mother goddess who, along with her consort Baal Hammon, were the chief deities of Carthage. The gold Tanit coins are rare on the archaeological record and were uncommon even in the 3rd century B.C. They were likely left at the tophet as offerings to the two deities by wealthy worshipers.
The urns are also votive offerings. The Tophet of Carthage, first explored by archaeologists in 1921, contains an astonishing 20,000 urns buried between 400 B.C. and 200 B.C. containing the cremated remains of animals (mainly lambs) and human children — fetuses, premature stillbirths, neonates, toddlers and a few up to four years old. Sometimes the remains of human infants were buried with the remains of lambs (and very occasionally other animals, like cows, pigs and birds). The soil of the tophet is thick with olive wood charcoal believed to be the remnants of sacrificial pyres.
Scholars have long debated whether this enormous quantity of cinerary remains of infants was evidence of Carthaginian child sacrifice or if was a necropolis dedicated to the burial of babies. There are no written Carthaginian sources to explain the burials, but Greek and Roman sources do claim that the practice of child sacrifice existed in Carthage. Greco-Roman sources are not considered reliable because they were at war with Carthage for so long and could have been spreading false information for propaganda purposes. Inscriptions on stone markers are ambiguous, but do seem to imply that the lambs were “substitutes,” ie, what people who were able to would offer to the gods in place of their own children. Recent archaeological explorations have concluded that the remains in the urns were indeed sacrifices, be they lamb or human child.
Although once contested, experts have found “‘overwhelming’ evidence that … Carthaginian parents ritually sacrificed young children as an offering to the gods,” Oxford University said in a 2014 news release.
“Perhaps it was out of profound religious piety, or a sense that the good the sacrifice could bring the family or community as a whole outweighed the life of the child,” Josephine Quinn, the co-author of a study on the topic, told Oxford University.
“We have to remember the high level of mortality among children — it would have been sensible for parents not to get too attached to a child that might well not make its first birthday,” Quinn said. “We should not imagine that ancient people thought like us and were horrified by the same things.”
* This article was originally published here
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Two new fragments of Roman calendar found in Ostia
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Two new fragments of the Fasti Ostienses, an ancient Roman marble calendar recording imperial news, magistrates and events, have emerged in an excavation at Ostia Antica, ancient Rome’s principal seaport. They record details from the reign of the emperor Hadrian.
The fasti originated in Republican Rome as a yearly calendars of days when religious requirements allowed or forbade the conducting of civil, legal and political business. The names of the annual consuls were listed on the fasti, which is how years became known by the names of the consuls rather than by a numerical date. These calendars were large marble bulletin boards, basically, mounted in public with carved and painted inscriptions.
The Fasti Ostienses were maintained by the priests of the Temple of Vulcan who kept a running tally for hundreds of years. The earliest fragment chronicles the years 49 to 44 B.C.; the last one covers events from 175 A.D. It lists the consuls of Rome, Ostia’s most important local magistrates, events involving the emperor, deaths of important people, the dedication of new temples and the appointment of new priests of Vulcan.
The recording of fasti fell out of favor during the Severan dynasty (193-235 A.D.), and Ostia itself declined as the port silted over in the 3rd century. Barbarian invasions in the 5th century led to the abandonment of the city and over time its structures were used as sources of building material. The great marble calendar was broken up and used for scrap too.
The newly-recovered fragments were discovered in the Forum of Porta Marina, an area of the city where other fragments of the Fasti Ostienses were unearthed in the excavations of 1940-1 and 1969-72. The Forum site consists of a large rectangular building with porticos on three sides and an apsidal hall on the fourth that was paved in opus sectile (colorful marble inlay). The Fasti were carved on the curved surfaces of columns in this building.
One of the two newly recovered fragments, which experts say matches perfectly with another previously found at the site, dates to AD128, during the reign of Hadrian. The inscription refers to events that took place that year, including 10 January, when Hadrian received the title pater patriae, or father of his country, and his wife, Sabina, that of Augusta. According to the inscription, Hadrian celebrated the occasion by offering a congiar dedit, or donation of money, to the people.
Another date, 11 April of the same year, refers to Hadrian’s trip to Africa before he returned to Rome between July and August. Before a subsequent trip to Athens, he consecrated (the inscription reads “consecravit”) a building in Rome that experts believe could be either the Pantheon or the Temple of Venus and Roma, possibly on 11 August. This would have marked his 11th anniversary as emperor.
* This article was originally published here
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2,000-year-old synagogue found in southern Russia
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The remains of one of the world’s oldest known synagogues have been unearthed in the ancient Greek city of Phanagoria near Kuban on the Black Sea coast of southern Russia. The foundations and bases of the walls were discovered by archaeologists of the Phanagoria Archaeological Expedition. Marble menorahs and fragments of steles inscribed “synagogue” in Hebrew and Greek, identified the building.
The synagogue was a rectangular structure 70 feet long by 20 feet wide. It was divided into two large rooms, each more than 645 square feet in area. It was richly decorated with marble columns and liturgical tables. The walls were vividly painted. The roof was tiled. The marble menorahs found inside the building have unique decorations not found in Middle Eastern synagogues.
The colony of Phanagoria was founded by Ionians from Teos fleeing the forces of Cyrus the Great of Persia in the 6th century B.C. By the 1st century A.D., it was home to a large, well-established Jewish community. Both the 8th century Byzantine historian Theophanes and the 9th century Persian geographer and postmaster Ibn Khordadbeh, described Phanagoria as a largely Jewish city. Theophanes mentions Bulgar tribes moving in the direction of “Phanagoria and of the Jews that live there” in his Chronologia for the year 678/9.
The synagogue was in use from the 1st century until the middle of the 6th century when the city was razed by invading Huns. It was founded in the late Second Temple period (516 B.C. – 70 A.D.) when Solomon’s Temple, destroyed in the Neo-Babylonian Empire’s siege of Jerusalem in 587 B.C., was rebuilt after the Jewish return from the Babylonian captivity. The existence of a synagogue as a Jewish house of communal worship, study and prayer dates to this period. Diaspora Jews living and dying far from Jerusalem were able to build their own consecrated spaces for religious services and ceremonies that had previously been the exclusive province of the hereditary priesthood of the direct descendants of Aaron (Moses’ brother) in the Temple in Jerusalem.
The earliest known synagogues date to the 3rd century B.C. and only a dozen or so are known in Israel and the Greco-Roman world from the Second Temple period. Phanagoria’s synagogue first appears on the archaeological record in an inscription recording the manumission of two slaves on the condition that they show “devotion and diligence” toward the synagogue. The inscription dates to 16 A.D. It is incomplete, but a later inscription from 51 A.D. includes the same terms and establishes the connection between manumission records and the synagogue. It reads:
Under the reign of King Cotys, in the year 348 on the first of the month of Xandikos: Sogos (and) Anos, sons of Psycharios (state that) Karsandanos and Karagos and Metroteimos were released in the synagogue, and are unassailable and cannot be hindered except that they show diligence and devotion toward the synagogue, under the joint guardianship of the congregation of the Jews.
The Phanagoria synagogue is therefore one of the oldest in the world, built hundreds of years before synagogue construction began to flourish in the 3rd century A.D.
“The significance of this discovery is manifold. Firstly, it unequivocally places Phanagoria, an ancient Greek polis, within the annals of Jewish history. It also indicates that Phanagoria likely served as a gateway for world religions to enter the territory of modern-day Russia,” says Bunyatyan. “A similar revelation occurred a few years ago, demonstrating that Phanagoria housed the oldest Christian diocese in what is now Russia. It is probable that religions primarily spread by sea before establishing their presence along the shores of the Kerch strait and subsequently moving inland.”
* This article was originally published here
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