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Viking gold bangle hoard found in Denmark

A Viking Age hoard of six solid gold bracelets has been found on the Himmerland peninsula of northeastern Jutland, Denmark. The design of the bracelets identifies them as a Scandinavian type dating to the late Viking period, ca. 900-1000 A.D., but most of the known examples are silver. Gold ones are much more rare, and with a total weight of 762.5 grams, this is the third largest Viking gold find ever made in Denmark.

The first two bracelets were discovered by accident by a local resident. They were peeking out of the soil by a field road in a wooded area near Rold. He submitted them to the archaeological department at the Museums of North Jutland for danefæ assessment, Denmark’s version of treasure trove. (All archaeological objects of historical importance found in the soil are by Danish law state property and must be declared to the authorities.)

Recognizing the objects as rare gold bangles from the Viking period, archaeologists returned to the find site to investigate further. A metal detector scan of the wider area uncovered one more gold bangle in the same spot where the first two were found, and then three more of them about 50 feet away.

“Gold in the Viking Age was concentrated among the absolute elite of society, and that is precisely why finds of this type are extremely rare. The fact that two gold bracelets are found in the upper layers of the soil and without the use of a metal detector, and that four others subsequently turn up during an archaeological survey of the area, makes the find quite extraordinary in a Danish context,” says Torben Sarauw and continues:

“The find includes gold bracelets with both twisted and smooth shapes, which together testify to a highly specialized goldsmith’s craft, which also helps to make the find something quite special.”

Three of the rings are twisted from two rods, one of which has inlaid thin gold wire and a knob-shaped closure, while the others are smooth rings made of solid rod or wire. Several are finished with characteristic wrapped closures – so-called running knots – and one ring also carries a smaller, similar ring.

One bangle is distinguished by flat-hammered, joined ends decorated with a zigzag pattern and triangles.

All six of the pieces are intact and in excellent condition. They were not just valuable in monetary terms, but also as unmistakable symbols of status and power. At the time when these bracelets were made, Denmark was beginning to unite into a single unified kingdom, as broadcast by Harald Bluetooth in runes on the Jelling Stone around 965 A.D. They may have been gifts given to reward loyalty and encourage alliances between elites. With six of them buried together, they were likely deliberately deposited for ritual purposes.

The find site is on private land and the exact location is being kept private. The archaeological examination of the place is now complete and the gold bangles are being analyzed, documented and conserved by experts. When initial cleaning and conservation is finished, the objects will be transferred to the National Museum.



* This article was originally published here

'Enjoy the show. Ignore the war': Venice Biennale faces backlash after including Russia

Protests have taken place at the prestigious arts fair over the inclusion of Russia for the first time since the full-scale invasion of Ukraine.

from BBC News https://ift.tt/TRaA0kH

'Enjoy the show. Ignore the war': Venice Biennale faces backlash after including Russia

Protests have taken place at the prestigious arts fair over the inclusion of Russia for the first time since the full-scale invasion of Ukraine.

from BBC News https://ift.tt/CDoG2Jr

Hiker finds 6th c. gold sword fitting

A hiker enjoying his morning constitutional in Sandnes, Norway, discovered a rare 6th century gold sword scabbard fitting. One of only 18 similar examples found in Northern Europe, the intricately decorated artifact is so rare, the sword it was mounted on had to have belonged to a member of the regional elite, likely a local chieftain, during the Migration Period.

The hiker found the fitting at the base of a hill named Riaren where a tree that had fallen years earlier caught his eye. He poked at a mound under the roots with a stick and suddenly saw the glint of gold. It was a small rectangle, 6 cm long by 2 cm wide (2.4 x .8 inches), weighing an unexpectedly heavy 33 grams (1.2 oz).

The ornamentation consists of a stylized animal motif created in looped and knotted gold ribbons with finely beaded gold threads overlaid on some of the lines. This filigree required a high degree of skill and is rare in works from the period. While the surface is very worn, it’s possible to make out two animals face each other in profile, one with the head against the bottom edge, the other with the head against the top edge. Additional animal figures can be made out on the back of a bent part of the fitting. These ribbon-shaped zoomorphic designs date the piece to the first half of the 6th century.

This is the third elite artifact found in the marshes at the base of Riaren. A silver necklace with gold decorations was unearthed during ploughing in the 19th century, and a large Roman bronze cauldron manufactured on the Rhine around 300 A.D. was found on a farm in 1907. All three are believed to have been deliberately deposited as offerings to the gods in hard times.

[Archaeologist Håkon Reiersen] at the Archaeological Museum in Stavanger believes that the gold treasure was buried in a rock crevice for religious reasons. It may have been an offering to the gods sometime in the 6th century.

In the year 536, Norway and the Nordic countries may have been hit by a disaster after a major volcanic eruption in Central America. The result may also have been a severe cooling for several years. Several sources in Europe describe the event. In the northern hemisphere, temperatures probably dropped by several degrees. Summers became short and cold. Crops failed for several years in a row. Perhaps half the people here died.

A lot of gold was offered to the gods at this time. People probably left valuable objects as offerings in the hope of better times. “By sacrificing such magnificent objects to the gods, the leaders at Hove confirmed their status and power,” says Reiersen.

The area around Hove in Rogaland was a center of the new warrior elite who conquered the ancient tribal communities of the region during the Roman Iron Age and early Migration Period. The warriors were seasoned serving as auxilia (mercenaries) in the Roman legions starting in the 2nd century A.D., and some of them moved north after they were discharged, using the unit organization they had learned under Rome and their military might to overpower the Scandinavian tribes and claim their fertile agricultural land.

They would seize existing farms, with the leader taking the largest, most central one and his men taking other ones nearby. They built new structures modeled after the layout of Roman military camps and forced the tribes to work the land for them, and to generate saleable goods like iron implements, fur and whale oil. This was a key period of transition from the early model of tribal communities to local chieftains and then to kingdoms.

The scabbard fitting is being cleaned and conservators by experts at the Archaeological Museum of the University of Stavanger. When the work is complete, the artifact will be exhibited to the public in the museum.



* This article was originally published here

'I've moved out of my shop for Johnny Vegas'

Mat Capper has relocated so the comedian can use his unit in Dagfield, Cheshire, for filming.

from BBC News https://ift.tt/SKmAbjB

'I've moved out of my shop for Johnny Vegas'

Mat Capper has relocated so the comedian can use his unit in Dagfield, Cheshire, for filming.

from BBC News https://ift.tt/MJBGISC

Early Botticelli masterpiece to stay in UK

A rare early work by Renaissance master Sandro Botticelli has been acquired by the Klesch Collection in London after an export bar was placed on the masterpiece in 2025. It will now go on public display for the first time in 80 years at the Ashmolean Museum. The last time it was exhibited, at the City Museum and Art Gallery in Birmingham in 1945, it was attributed to the master’s workshop, but the current scholarship and new imaging studies show complexity and detail in the preparatory drawing evident in known autograph works by the master himself.

The Virgin and Child Enthroned was painted around 1470, early in the carrer of Mariano Filipepi, aka Sandro Botticelli (ca. 1445–1510). It depicts the Virgin seated on a throne with the Christ Child on her knee. They sit under an architectural canopy with gilded columns and marble inlays along the arch. The checkered marble floor recedes under the Virgin’s feet to a one point perspective confirmed by imaging investigations that revealed the underlying drawings and perspective lines. The composition is similar in style to Botticelli’s Sant’Ambrogio altarpiece currently in the Uffizi, particularly the design of the Child and the position of the Virgin’s hands holding him. Art historians believe the Virgin and Child Enthroned was also an altarpiece, albeit on a smaller scale, intended for a more intimate private chapel.

By the early 19th century, it was in the oratory of the Convent of San Giuliano in Florence. After the Napoleonic suppression of the convent in 1808, the property was bought by the Calasanz monastic order and the painting was then moved to the chapel of a convalescent home for sick brothers of the order in a village outside of Florence. The property, including the painting, was inherited by the Graziani family and in 1903 Giovanni Magherini Graziani sold it to Florence art dealer Elia Volpi. She sold it to heiress, philanthropist and art collector Harriet Loyd-Lindsay, Baroness Wantage, in 1904, and Virgin and Child Enthroned moved to England.

Lady Wantage’s famed collection was largely dispersed after her death in 1920, the most important works sold at Sotheby’s in 1945, but this Madonna by Botticelli was kept by her descendants in Betterton House, Berkshire, until they put it up for sale in 2024. The painting was published, but only known from black and white photos and when it was mentioned its location was even listed incorrectly. The sale spurred new research, material analysis, X-rays and infrared reflectography imaging that reclaimed the work as a masterpiece of international significance.

It was sold at auction at Sotheby’s London on December, 4, 2024 for a final sale price of £10 million ($12.6 million), blasting past the presale estimate of £2-3 million. There are very few works by Botticelli in the United Kingdom and this one is not only of exceptional importance due to its early date, but also due to its relevance to the history of Old Master collecting in the country. Because of these factors, when a foreign buyer won the auction and applied for an export license, the UK’s Minister for Creative Industries, Arts and Tourism imposed a temporary export ban in 2025. The Klesch Collection stepped up to the plate and was able acquire the painting for the nation.



* This article was originally published here

Gap co-founder Doris Fisher dies aged 94

She opened the first store with her husband Don in 1969, with the company calling her "a pioneering force in American retail".

from BBC News https://ift.tt/eIrdtiu

Gap co-founder Doris Fisher dies aged 94

She opened the first store with her husband Don in 1969, with the company calling her "a pioneering force in American retail".

from BBC News https://ift.tt/Ir5CnHF

Evidence of prehistoric copper mining found in high-altitude Pyrenees cave

Excavations from 2021 to 2023 at Cave 338 in the eastern Pyrenees in Spain near the border with France uncovered well-defined archaeological layers of human occupation in phases from the early 5th millennium B.C. to the late 1st millennium B.C. At above 7,333 feet (2,235 meters) above sea level, it’s the highest-altitude cave with sustained prehistoric human occupation in the Pyrenees.

Archaeologists unearthed four layers of occupation: a thin top layer with a few artifacts from historical periods indicating it was barely used, an oldest layer consisting solely of charcoal fragments and two middle layers with dense remains of combustion pits, animal bones, ceramic vessels and an extraordinary assemblage of green mineral fragments believed to be malachite.

Almost 200 pieces of green stone fragments were found alongside charcoal in 23 combustion pits. Malachite is not native to the cave so must have been transported there. Researchers believe it was brought to the cave to convert the mineral into copper. Heating malachite breaks it down into carbon dioxide and copper oxide. Adding charcoal then releases the carbon dioxide and leave a nugget of copper behind. Many of the fragments were This is one of the earliest archaeological contexts documenting prehistoric high altitude copper mining in Europe.

“Many of these fragments are thermally altered, while other materials in the cave are not, which clearly suggests that fire played an important role in their processing and that there was a deliberate intention behind it,” said Dr Julia Montes-Landa of the University of Granada, co-author. “In other words, they weren’t burned by accident.”

The hearths cut across each other, indicating that the visitors reused this space frequently, but are still distinct, which suggests that those visits were separated by plenty of time. Radiocarbon dating puts the hearth found in the second layer at about 3,000 years old, while the hearths in the third layer are around 5,500 to 4,000 years old.

The excavation also uncovered the remains of at least one child and jewelry. A finger bone and a baby tooth from a child around 11 years of age were found in the third layer. It’s not currently possible to determine if the two came from the same child, but they do indicate the site was used for burials and there may be more to be found deeper in the cave. A shell pendant and a brown bear tooth pendant dating to around the second millennium B.C. were found in the second layer. There are comparable shell pendants known from prehistoric sites in Catalonia, which suggests ties between communities or shared cultural traditions, while the bear tooth is a rarity that may have been found in the cave or environs.

“For a long time, high-mountain environments were seen as marginal, places prehistoric communities passed through occasionally,” said Prof Carlos Tornero of the Catalan Institute of Human Paleoecology and Social Evolution, lead author of the article in Frontiers in Environmental Archaeology. “But we found a really rich archaeological sequence, including multiple combustion structures and a very large number of green mineral fragments. We can’t say exactly how long people stayed each time, but the repeated use of the space and the density of remains suggest occupations that were short to medium in duration, but happening again and again over long periods of time.”

The study has been published in the journal Frontiers in Environmental Archaeology and can be read in its entirety here.



* This article was originally published here