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Asparagus foraging mission yields Roman tombstone

A hiker on the hunt for wild asparagus in the woods outside Livorno harvested a Roman funerary marker instead. Retired firefighter Roberto Tessari was foraging last Wednesday after heavy rains when he spotted a rectangular stone slab at the water’s edge of a canal. He turned it over and saw that it was a funerary inscription.

An active member of the Livorno Archaeological Paleontological Group, Tessari knew to report the find to the Superintendency of Archaeology, Fine Arts and Landscape for the provinces of Pisa and Livorno and sent the official archaeologist, Dr. Lorella Alderighi, whom he knows personally, pictures of the slab. He then called his firefighter brethren to help him pull it out of the water. They lifted the stone safely and transferred it to the Superintendency. In a happy coincidence, Tessari’s son was on the firefighting team dispatched to the scene.

The slab is 45 cm (17.7 inches) wide, 9 cm (3.5 inches) thick and 29 cm (11.4 inches) high, exactly one Roman foot. It dates to the 2nd century A.D. and is in excellent condition, with an intact inscription framed by a deeply carved cornice. The letters are 4 cm (1.6 inches) high and expertly carved in capital letters carefully laid out to make three even lines.

The three lines of Latin text read:

T ANCONIUS SEVERUS
ANCONIVS PRISCVS
ET SABINIA SEVERA
V F

It is a dedication to one Titus Anconius Severus from his parents, father Anconius Priscus and mother Sabinia Severa. The abbreviation V F stands for Vivi Fecerunt, meaning that the parents had the tomb and marker made while they were still living.

The names are not documented in any known sources, but there are interesting details in . Young Titus, for example, bears his father’s family (gens) name of Anconius and his mother’s family name Severus as a cognomen (the third personal name). The cognomen started out as a nickname to distinguish people from the same family since there were so many repeated praenomen (first names) and eventually became inherited as well. They were almost always inherited along the paternal line, but the mother’s family name could be passed down to a son as a cognomen on occasion. The emperors of the Flavian dynasty, for example, used the mother’s name as cognomina for the second sons — Vespasian after his mother Vespasia Polla, Domitian after his mother Flavia Domitilla. One reason for including the mother’s name in a son’s name was if her family more distinguished, so not necessarily adopting the mother’s name per se, but rather including the name of the maternal grandfather.

“The discovery is extremely interesting as it is one of the rare Roman inscribed tombstones with perfectly preserved text found in the Livorno area,” emphasizes Dr. Alderighi. “Given the site’s isolation, today as perhaps in the past, with its wooded and uncultivated nature, it cannot be ruled out that the tombstone may indicate the location of a stonemason’s workshop, or that it was never connected to a funerary structure, as the roughly hewn marble back shows no traces of mortar to the naked eye. The inscription likely dates to the 2nd century AD.”

The male names (Titus Anconius Severus, Anconius Priscus) and the female figure (Sabinia Severa) do not belong to known individuals, and only the first male figure has a praenomen cited. Furthermore, the males lack patronymics and tribe names, and the gentilic name is copied from the name of a city (Ankòn/Ancon). These are all factors that could indicate the status of freedmen, or those economically important social groups that left traces of themselves in the epigraphic documentation of northern Etruria between the 2nd and 3rd centuries AD.

The slab is now being cleaned and conserved by Superintendency experts who will conduct an in-depth analysis of the stone, carving and inscription.



* This article was originally published here

The Salt Path author confirms she wrote secret first book - despite claiming to be debut writer

Raynor and Moth Winn published a book they hoped would help get them out of debt, the BBC confirms.

from BBC News https://ift.tt/EY3Ck9i

The Salt Path author confirms she wrote secret first book - despite claiming to be debut writer

Raynor and Moth Winn published a book they hoped would help get them out of debt, the BBC confirms.

from BBC News https://ift.tt/Whre3Iu

Caravaggio portrait acquired by Italian state

The Portrait of Monsignor Maffeo Barberini by Baroque master Caravaggio that has long been privately owned and was only loaned out for public display once has been acquired by the Italian state for 30 million euro ($35 million). This is the outcome of more than a year of negotiations between the Ministry of Culture and the anonymous owners, at an eye-watering

Painted around 1599, the portrait captured Maffeo Vincenzo Barberini when he was 30 years old and an up-and-coming cleric of the Apostolic Chamber. His uncle Francesco’s enormous success in business had elevated the Barberini family from minor Florentine nobility to major players in Rome, complete with a panoply of bought-and-paid-for titles and offices from the Catholic Church. He managed to evade the Curia’s rules against running a business while holding ecclesiastical position, and his heirs, including his nephew, did the same. That ensured Maffeo had endless funds to support his rapid rise in the ecclesiastical hierarchy, culminating in his election to the papacy in 1623 as Pope Urban VIII.

The portrait was in the Barberini family collection for more than 300 years, until it was sold in around 1935 when financial distress drove the family to sell much of its unparalleled collection. It was bought by a private collection in Florence and remained there, unseen and unpublished, for decades. It was published for the first time as an autograph work of Caravaggio’s by art historian Roberto Longhi in 1963. The owners kept it entirely behind closed doors for another 60 years after that.

The portrait was finally shown to the public for the first time in 2024 when the owners loaned it to the Gallerie Nazionali di Arte Antica (National Galleries of Ancient Art) in Rome for a special exhibition dedicated to the work. The museum is housed in the Palazzo Barberini, the grand urban palace designed by Gian Lorenzo Bernini for Maffeo after his elevation to the Throne of Peter, so this exhibition was a homecoming for the portrait. More than 450,000 visitors came to see it in the months it was on display.

Now the Portrait of Monsignor Maffeo Barberini will be making another voyage home and this time it’s staying for good. The work will be assigned to the Gallerie Nazionali di Arte Antica to become part of the permanent collections of Palazzo Barberini.

Within the limited corpus of works securely attributed to Caravaggio—around sixty-five paintings worldwide—portraits constitute an extremely rare category: only three are known and universally accepted. The Portrait of Monsignor Maffeo Barberini therefore represents an exceptional example of the Lombard master’s portraiture and a fundamental piece for understanding the evolution of his pictorial language between the late sixteenth and the early seventeenth centuries.

Caravaggio is today one of the most studied and admired artists in the world, yet the number of securely attributed works remains extremely limited, and the appearance on the market of paintings confidently attributed to him is an exceedingly rare event. For this reason, the entry of the Portrait of Monsignor Maffeo Barberini into Italy’s public collections represents a result of great importance both from a scholarly perspective and in terms of cultural policy, ensuring that a masterpiece by Caravaggio becomes part of the national heritage and further strengthens opportunities for research, knowledge and public enjoyment of the artist’s work.



* This article was originally published here

Government increases BBC World Service funding by £33m over three years

The funding increase is about 8% up on the previous financial year, the government will announce on Thursday.

from BBC News https://ift.tt/nrdvfAz

Government increases BBC World Service funding by £33m over three years

The funding increase is about 8% up on the previous financial year, the government will announce on Thursday.

from BBC News https://ift.tt/PQAXJh8

Five more seated Gauls found in Dijon

An excavation in a new section of the Joséphine Baker school complex in Dijon has unearthed at least five or six new seated burials dating to the Gallic period between 300 and 200 B.C. Three of them form a new alignment parallel to the first burials uncovered, while the remaining two/three follow the original alignment.

The first seated burials were excavated in 2024 in the former garden of the Corderliers convent. They had all been laid to rest in the same manner: seated on the bottom of a circular pit, backs against the eastern wall, facing west. Their hands were on their laps or legs. They were buried without grave goods, except for one individual who was found wearing a black stone armband. The style of the armband is what identified the graves as dating to the Gallic period.

While the excavation of the school complex uncovered new graves, the French National Institute for Preventive Archaeological Research (INRAP) revealed the results of the analyses of the first 13 burials. They were all adult males between 40 and 60 years old when they died, ranging in height from 1.62 to 1.82 meters (5’4″-6′).

They were in good overall health with excellent teeth, but osteoarthritis in the bones, particularly in the legs, attests to them having consistently experienced strenuous physical activity in their lives. Intriguingly, five or six of the 13 have signs of unhealed sharp force trauma, namely cuts on the humerus bones and in one case, two sharp blows to the skull, likely from a sword. This means they were at least cut at the time of death and even if the humerus blows were not the coups de grace, the deceased were deliberately killed.

Including earlier discoveries in 1992, about 20 tombs with sitting Gauls have been discovered in a small area of Dijon’s city centre.

That is more than a quarter of the 75 tombs featuring sitting Gauls identified worldwide. Other sites have been found in France, Switzerland and the UK.

Regis Labeaune, a researcher at the French archaeological institute, Inrap, said the latest bodies were “particularly impressive discoveries”.

“Given the number and quality of these discoveries, we can say there was a significant Gallic settlement in Dijon,” he told AFP.



* This article was originally published here

Watch: Sean Penn receives 'Oscar' in Ukraine after skipping US ceremony

The Academy Award winning US actor won his third Oscar on Sunday, but skipped the ceremony to visit Ukraine.

from BBC News https://ift.tt/Jh73XcF

Watch: Sean Penn receives 'Oscar' in Ukraine after skipping US ceremony

The Academy Award winning US actor won his third Oscar on Sunday, but skipped the ceremony to visit Ukraine.

from BBC News https://ift.tt/bVQ983U

Hiker stumbles on rare tiny bull head in Mallorca

A small bronze bull head figurine discovered by a hiker in the Serra de Tramuntana mountain range in Mallorca, Spain, is now being studied by archaeologists. The head is just three centimeters (1.2 inches) long and is only miniature bull head found in Mallorca known to survive. Thanks to the diligence of the hiker who immediately notified the Consell de Mallorca of the find and handed it over to the authorities, this unique artifact will be preserved in a Mallorca museum.

Dating to between 600 and 200 B.C., the bull head was crafted by the sophistic metal craftsmen of the post-Talaiotic culture, descendants of the first settlers of Mallorca and other Balearic Islands. They are named after megalithic towers known as talaiots that pepper the landscape of the islands, about 300 of them on Mallorca alone. The features of the bull — ears, horns, eyes, nose — are meticulously shaped and incised in the stylized form typical of the Talaiotic Culture. Archaeologists believe it was once part of a larger sculpture or a decorative fitting.

The wee bull head shares common design elements with and is a contemporary of the far larger bull heads of Costitx, icons of the bull’s ancient totemic significance in Spain’s cultural history. The three life-sized heads were discovered at the archaeological site of Son Corró outside Costitx, Mallorca, in the late 19th century, and are believed to be related to a Talaiotic bull-worship cult. They are now exhibited at the National Archaeological Museum in Madrid, much to the consternation of Costitx, which has repeatedly petitioned Spain’s government to return the heads to their home only to be denied over and over again. That loss adds a great deal of weight to the miniature version staying put.

The bull head is now undergoing archaeological and metallurgic analysis by Consell de Mallorca researchers. They hope to narrow down when it was manufactured, the metallurgic techniques employed, the metal composition and answer the question of whether it was originally mounted to a larger piece.



* This article was originally published here