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Page from Archimedes Palimpsest rediscovered in Blois

A page from the Archimedes Palimpsest, one of the most important manuscripts surviving from antiquity, has been rediscovered at the Musée des Beaux-Arts in Blois, central France. The page was one of three lost decades ago, and only known from photographs taken in 1906.

The Archimedes Palimpsest is a compendium of treatises by 3rd century B.C. Greek mathematician and inventor Archimedes of Syracuse. Archimedes was famous for inventions like his war machines and the screw pump that bears his name during his lifetime and throughout Late Antiquity, but his mathematical treatises were more obscure. The first compilation of them was copied by Isidore of Miletus, architect of Hagia Sophia, in Constantinople in 530 A.D. A copy of this compilation was created in Constantinople in 950 A.D. when Byzantine culture saw a renaissance of mathematical interest inspired by the former bishop of Thessaloniki, Leo the Geometer.

The 10th century copy was dispatched to a monastery in Palestine after the Sack of Constantinople in April 1204 to keep it from being destroyed by the anti-Greek zealotry of the Crusaders looting the city. Unfortunately the remote monastery was not a safe haven either. In 1229 a monk sponged the ink off the parchment with lemon juice, cut the animal hide pages in half, turned them 90 degrees and filled them with prayers and liturgical texts.

This practice of washing off and reusing parchment and vellum of older manuscripts was common in the Middle Ages because new pages made from animal skin were very expensive to produce. They were also durable enough to withstand this harsh form recycling, and even the ink turned out to be able to withstand the attempt to obliterate it. The cleaned parchment pages still contained traces of the ink under the surface, and over time, the shadow of the original writing would reappear. Texts with ghosts of previous texts are known as palimpsests.

The Archimedes Palimpsest stayed in the hands of the Greek Orthodox church for another 700 years. It was catalogued in Istanbul in the early 20th century, and was thoroughly documented and photographed by Danish historian Johan Heiberg in 1906. A great deal of the original Archimedean text was faint but visible, and could be read with a magnifying glass. Heiberg published a translation of the original texts he’d been able to decipher in 1915.

The manuscript went missing in 1922 when the Ottoman Sultanate was abolished and the Greek Orthodox library in Istanbul had to be evacuated. The year after that, it was in the hands of a Parisian businessman Marie Louis Sirieix who obtained it under very sketchy circumstances. He claimed to have bought it from a monk, but there was no proof of that. He or someone he allowed access to the manuscript added four illustrations of the Evangelists in faux Byzantine style, evidently trying to make it look like a medieval illumination.

Sirieix never did resell it, and it was stashed in his cellar until the 70s, subject to water and mold and missing three pages lost somewhere in in its vicissitudes after 1906. His daughter finally put it up for auction at Christie’s in 1998. It was bought by an anonymous collector (rumor has it the winning bidder was Jeff Bezos) who then lent it to the Walters Art Museum in Baltimore for conservation and analysis. A few years later, the manuscript, minus the three lost pages, was scanned with multispectral imaging technology revealing new original texts.

The leaf identified in Blois by Victor Gysembergh, a CNRS researcher at the Centre Léon Robin for Research on Ancient Thought (CNRS/Sorbonne University), was among these missing pages: comparison with Heiberg’s photographs, now preserved at the Royal Danish Library, made it possible to confirm without ambiguity that it was leaf number 123.

On one of its two sides, a text of prayers partially covers geometric diagrams and a passage from the treatise “On the Sphere and the Cylinder,” Book I, Propositions 39 to 41, much of which remains largely legible. The other side is covered by an illumination added in the twentieth century, depicting the Prophet Daniel surrounded by two lions, beneath which the ancient text remains to this day inaccessible using conventional methods of examination.

Now that the missing leaf has been identified, researchers hope to get permission to use the latest synchrotron-based X-ray fluorescence analysis to fully expose the original writing impressions.



* This article was originally published here

Luke Evans' Broadway debut a 'bucket list' moment

The acclaimed Welsh actor explains why he has a special connection to the cult classic musical.

from BBC News https://ift.tt/JvYmCgV

Luke Evans' Broadway debut a 'bucket list' moment

The acclaimed Welsh actor explains why he has a special connection to the cult classic musical.

from BBC News https://ift.tt/idtnx0A

Ritual site at summit of rock formation identified

An excavation on one of the Bruchhauser Steine rock formations in in North Rhine-Westphalia, Germany, has unearthed evidence that the Iron Age hillfort on the summit was a ritual site. Two iron axes placed at right angles to each other and the remains of specially mined and processed quartz in a hard-to-reach location indicate a complex ritual took place there.

The Bruchhauser Steine are four large porphyry formations visible for miles over the hilly landscape. The highest of them, Bornstein is 300 feet high. Next are Ravenstein (236 feet), Goldstein (197 feet) and finally Feldstein (148 feet). Feldstein is the only one where people can easily reach the summit thanks to a staircase carved into the rock. There’s a cross at the summit of Feldstein now so the religious appeal of the site is undiminished to this day.

The two socketed axes were discovered last year by a metal detectorist who recognized that their careful positioning could not have been a natural process. He reported the find to the Westphalia-Lippe Regional Association (LWL). The subsequent excavation of the find site revealed a far more complex depositional context.

Beneath the axes is a pit carved into the rock. It had been deliberately filled with soil, and the excavation of its contents uncovered quartz fragments, a flat stone slab with marks of use and a rounded stone known as a hammerstone that was used to crush rocks.

The analysis of these materials has allowed specialists to reconstruct the sequence of actions that took place at that point more than two millennia ago, sometime between the 5th and 3rd centuries BC. According to Dr. Zeiler, the sequence began with the opening of a small cavity in the rock to extract the quartz embedded within it, a task that required considerable effort given the hardness of the material and the exposure of the location to harsh weather conditions.

Once the quartz had been obtained, it was processed immediately on the stone slab itself, using the crusher to reduce it to fragments only a few millimeters in diameter. Once this operation was completed, the cavity was refilled with the crushed quartz and with the very tools used in the process, that is, the slab and the crusher. Finally, on the leveled surface of the sealed pit, the two iron axes were deposited in the arrangement that the detectorist was able to observe millennia later.

This difficult, complicated procedure took place on an exposed promontory where mining the quartz veins in the porphyry was much harder than it would have been just at the base of the rock. Archaeologists hypothesize that the quartz at the high elevation was deliberated mined because it was believed to hold magical properties due to its proximity to the spirit realm.

The discovery of the quartz ritual and axes on the summit sheds new light on the Iron Age walls that surround the rock formations. There is no evidence of permanent settlement, so walls did not defend a hillfort in the typical sense of the word. Instead, they served as the boundary walls of a sacred enclosure.

The Bruchhauser Steine Foundation will exhibit some of the finds in a new display case at the site’s visitors center. The iron axes cannot be displayed yet because they need conservation and stabilization to ensure they don’t corrode now that they’ve been removed from their protected environment. Replicas will be installed in their place, but the original stone slab, the hammerstone and fragments of quartz will be on display.



* This article was originally published here

Model who starred in TV drama Dallas dies aged 62

Annabel Schofield found success as a model in the 1980s before moving to LA to work as an actress.

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Model who starred in TV drama Dallas dies aged 62

Annabel Schofield found success as a model in the 1980s before moving to LA to work as an actress.

from BBC News https://ift.tt/6yuCDa2

लिलिपुट को फिल्म ‘जीरो’ पसंद नहीं आई थी:एक्टर बोले- शाहरुख को स्क्रिप्ट चुनने की समझ नहीं है

एक्टर लिलिपुट ने हाल ही में कहा कि उन्हें शाहरुख की फिल्म जीरो पसंद नहीं आई थी। लिलिपुट ने यह भी कहा कि शाहरुख के पास स्क्रिप्ट चुनने की सही समझ नहीं है। बता दें कि फिल्म जीरो का निर्देशन आनंद एल राय ने किया था, जिसमें शाहरुख खान ने एक कम कद वाले व्यक्ति की भूमिका निभाई थी। सिद्धार्थ कन्नन से बातचीत में लिलिपुट ने कहा कि फिल्म का विषय उन्हें समझ नहीं आया। उनके अनुसार, फिल्म में एक शारीरिक रूप से दिव्यांग लड़की और एक खूबसूरत लड़की दोनों उस लड़के से प्रभावित थीं, लेकिन कहानी क्या कहना चाहती थी, यह साफ नहीं था। उन्होंने कहा कि अब उन्हें फिल्म की बाकी घटनाएं भी याद नहीं हैं। हालांकि, उन्होंने शाहरुख खान की मेहनत की सराहना की। लिलिपुट ने कहा कि शाहरुख ने फिल्म में पूरा प्रयास किया और ईमानदारी से काम किया, लेकिन इसके बावजूद वे फिल्म में प्रभावी नहीं लगे। शाहरुख की स्क्रिप्ट चुनने की समझ पर सवाल उठाए लिलिपुट ने यह भी कहा कि शाहरुख की फिल्मों को देखकर लगता है कि उनके पास स्क्रिप्ट की समझ नहीं है, जो आमिर खान को है। उन्होंने कहा कि किसी का सफल होना यह नहीं दिखाता कि वह बिल्कुल गलतियों से परे हो गया है। हर इंसान में कुछ कमियां होती हैं, चाहे वह कितना भी बड़ा क्यों न हो। लिलिपुट ने आगे कहा कि कई लोगों में स्क्रिप्ट पहचानने की समझ नहीं होती और शाहरुख भी उनमें से एक हो सकते हैं। उन्होंने यह भी कहा कि इसमें कुछ गलत नहीं है। जब उनसे पूछा गया कि सही स्क्रिप्ट चुनने की समझ न होने के बावजूद शाहरुख इतने बड़े स्टार कैसे बने, तो लिलिपुट ने कहा कि उनकी ज्यादातर फिल्में बाहरी प्रोड्यूसर्स के साथ होती हैं, जैसे यश राज फिल्म्स। उनका मतलब था कि उन फिल्मों में शाहरुख खुद प्रोड्यूसर नहीं थे। कौन हैं लिलिपुट? लिलिपुट ने 1990 के दशक में टीवी के फेमस शो देख भाई देख, जबान संभालके और विक्रम और बेताल में काम किया है। हॉरर सीरीज वो में भी उन्होंने मुख्य भूमिका निभाई थी। हाल के वर्षों में वे अमेजन प्राइम की फेमस वेब सीरीज मिर्जापुर में बिहार के माफिया डॉन दद्दा त्यागी के दमदार किरदार में नजर आए थे। उन्होंने शो इंद्रधनुष की पटकथा और फिल्म चमत्कार (1992) के डायलॉग लिखे थे।

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Two rare Roman lead ingots found in Wales

Two rare Roman lead ingots discovered by metal detectorists in Llangynfelyn, Ceredigion county, Wales, are the first of their kind found in west Wales. They were declared official treasure at a coroner’s inquest in January.

Nick Yallope and Peter Nicolas discovered two lead ingots while scanning a pasture on farmland belonging to Geraint Jenkins. The ingots were buried about a foot and a half under the surface and six and a half feet apart. They were cast in an elongated trapezoidal shape with a rectangular base. Their flat tops are embossed with the inscription IMP DOMIT CAE AUG XIII COS, meaning “Imperator Domitianus Caesar Augustus, consul for the thirteenth time.” The reference to the years of consulship dates the stamps to 87 A.D., six years into the reign of Emperor Domitian (r. 81-96 A.D.).

Known as pigs, the ingots were cast in moulds with inscriptions impressed on the bottom. The shape was chosen for ease of handling, stacking and shipping. They were large, up to two feet long and weighing an average of more than 150 lbs, an inherent theft deterrent. About 100 such pigs are known from Roman Britain and fewer than half of them are extant today. They are the main archaeological evidence of the Roman exploitation of Britain’s metal resources, one of the main motivations for Emperor Claudius’ invasion in 43 A.D., as no intact Roman mine workings survive. The Roman demand for lead in particular among the base metals was very high as it was used for water pipes, roofs and as alloys for metals used in weapons and construction.

The dates in the inscriptions on lead pigs are evidence that the Romans wasted no time working the mines in Britain, in use by local peoples going back centuries, as soon as they subdued an area. The earliest inscribed pigs, from the Mendips in Somerset, date to 49 A.D. and bear the names of legions. As the conquest proceeded to the other main lead mining regions over the next three decades, forts were built at mining sites, reflecting the army’s direct control and administrative of the lead resources of freshly-conquered areas. The conquest of Wales was completed in 78 A.D., so the Ceredigion pigs were cast less than a decade after all of Wales was under Roman control. The stamps are evidence that the lead mines in the area were still under Roman imperial administration, even as the areas that had been subdued earlier saw a transition to private companies and individual owners being granted rights to mine the ore.

A valuation committee will now assess the market value of the ingots and then a local museum will be given the opportunity to acquire the objects for the amount assessed. The fee will then be divided 50/50 between the finds and the landowner. The Ceredigion Museum in Aberystwyth is excited to acquire them up for its collection.

Carrie Canham, Curator of Ceredigion Museum said: ‘We are very excited about the possibility of acquiring these wonderful objects. Ceredigion’s rich mineral deposits were one of the main reasons why the Romans tried to conquer this area. Lead that was mined here would travel all over the Roman Empire, and these ingots draw attention to the significance of Ceredigion in building the empire of Emperor Domitian Caesar Augustus. We plan to share this story in our new archeology gallery, which will open in 2027, so the timing of this discovery could not be better.”



* This article was originally published here

Swiss to vote on right-wing push to slash licence fee for public broadcaster

The move is backed by the right-wing Swiss People's Party, which says the current fee is unjustified because of the high cost of living.

from BBC News https://ift.tt/g3DMYdx

Swiss to vote on right-wing push to slash licence fee for public broadcaster

The move is backed by the right-wing Swiss People's Party, which says the current fee is unjustified because of the high cost of living.

from BBC News https://ift.tt/M4uB8Oh