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A journey through the Ara Pacis in vivid color

The Ara Pacis Museum on the banks of the Tiber in Rome has opened a new immersive multimedia experience for visitors to the ancient altar of peace built by Emperor Augustus. Video mapping technology and 4K laser projection brings the altar’s original vivid polychrome back to life, accompanied by narration, music and sound effects.

The digital projection technique allows for the profiles and colors to be modified and modulated in real time. The bas-reliefs light up at the visitors’ observation point, revealing details, colors, and scenes that restore the original richness of the work.

The choice of individual colors for the Ara Pacis was based on laboratory analysis, comparisons with Roman paintings, especially those of Pompeii, and chromatic research on ancient Greco-Roman architecture and sculpture. The coloration of the plant elements was also possible based on a major study that in 2010 identified more than 50 plant species that actually exist in nature.

A study group formed in recent years to explore the original color scheme of the Ara Pacis has been working on this hypothesis for the past few years, as part of the new Museum’s construction. Specifically, a three-dimensional model of the altar was created, which was then color-rendered according to philological and historical-stylistic criteria. From this model, the idea arose to project rays of colored light directly onto the altar’s marble surfaces to hypothetically recreate the overall, realistic appearance of the original polychrome.

The narration takes visitors on a journey through time, starting with the commission of the Ara Pacis Augustae (Altar of Augustan Peace) by the Senate to celebrate Augustus’ triumphant return to Rome in 13 B.C. It walks viewers through the imagery in the friezes, its emphasis on the Augustan Pax Romana ushering in a new era of prosperity deeply grounded in Rome’s ancient traditions. Augustus incarnates that link as a religious leader presiding over the annual sacrifices performed at the altar and as a member of the gens Julia, descendants of Aeneas and the founders of Rome.

The audio guide also tells the story of how a massive altar was lost — it was in the Tiber flood plain and was ultimately covered in layers of silt 13 feet deep — and then rediscovered starting in the 16th century. It took centuries to find the surviving fragments of the reliefs and the reconstruction of the altar was only completed in 1938, 2001 years after the birth of Augustus.

This video has none of the narration or sound effects of the in-person audio tour, but you can see the reliefs illuminated by the glorious technicolor of the projection system.



* This article was originally published here

Rising incidence of failure of hip and knee replacement due to infection

An emerging and concerning challenge is the rising incidence of implant failure due to prosthetic joint infection (PJI). Although relatively uncommon, infection remains one of the most devastating complications following joint replacement.

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BTS battle torrential rain to kick off $1bn world tour

The K-Pop band are battered by the elements as they launch their marathon world tour in Goyang.

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Everything you need to know about BTS's comeback tour

The megastars kick off their grandest tour, the largest in K-pop history, in Seoul on Thursday after a nearly four-year hiatus.

from BBC News https://ift.tt/s2VJ7D6

सतीश शाह का पिंडदान 'साराभाई' की कास्ट ने किया था:राजेश कुमार ने बताया- निःसंतान होने पर गया में पूरी टीम ने निभाई परंपरा

एक्टर राजेश कुमार ने हाल ही में बताया कि दिवंगत एक्टर सतीश शाह के लिए टीवी शो साराभाई वर्सेज साराभाई की पूरी कास्ट ने गया में पिंडदान किया था क्योंकि उनकी कोई संतान नहीं थी। राजेश कुमार ने बॉलीवुड बबल से बात करते हुए सतीश शाह को बहुत जिंदादिल और पॉजिटिव इंसान बताया। उन्होंने कहा कि सीरियस हेल्थ प्रॉब्लम के बावजूद, उन्होंने कभी भी अपने दर्द को अपने व्यवहार या काम पर असर नहीं पड़ने दिया। राजेश के मुताबिक, सतीश शाह डायलिसिस पर थे और उनका किडनी ट्रांसप्लांट भी हुआ था, लेकिन उन्होंने कभी निराशा नहीं दिखाई। वे शम्मी कपूर से काफी प्रेरित थे, जिन्होंने जीवन के आखिरी समय में भी हिम्मत नहीं हारी। सतीश शाह आखिरी दिनों तक खुशमिजाज थे राजेश ने कहा कि सतीश शाह अपने निधन से कुछ दिन पहले भी नॉर्मल और खुशमिजाज मूड में थे। एक्टर ने कहा, "मैंने उनसे चार दिन पहले बात की थी और वह तब भी खुशमिजाज और एनर्जी से भरे हुए थे।" पिंडदान को लेकर राजेश कुमार ने कहा कि वे गया से हैं, जहां यह परंपरा निभाई जाती है। सतीश शाह के निःसंतान होने के कारण शो की पूरी टीम ने मिलकर उनका पिंडदान किया। यह एक इमोशनल फैसला था। सतीश शाह का अक्टूबर 2025 में निधन हुआ था सतीश शाह का निधन 25 अक्टूबर 2025 को 74 साल की उम्र में मुंबई में हुआ। शाह के निधन को लेकर शुरुआत में किडनी फेलियर की बात सामने आई थी। हालांकि बाद में राजेश कुमार ने साफ किया था कि उनका निधन दिल का दौरा पड़ने से हुआ था। सतीश शाह फिल्म और टीवी इंडस्ट्री का जाना-माना नाम थे। उन्होंने साराभाई वर्सेज साराभाई और जाने भी दो यारो जैसे प्रोजेक्ट्स से पहचान बनाई। इसके अलावा वे फिल्म दिलवाले दुल्हनिया ले जाएंगे, मैं हूं ना, रा.वन और इश्क विश्क में भी नजर आए थे।

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Everything you need to know about BTS's comeback tour

The megastars kick off their grandest tour, the largest in K-pop history, in Seoul on Thursday after a nearly four-year hiatus.

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Silver coin found from doomed Spanish colony on Strait of Magellan

A Spanish silver coin marking the spot of a doomed colony on the north side of the Strait of Magellan has been discovered on what is now the southern tip of Chile. The coin confirms the account of a ceremony performed at the founding of the colony written in 1584, and also confirms the accuracy of a map from the period.

The “real de a ocho” coin was discovered last month in an excavation at the site of the Ciudad del Rey Don Felipe. It was placed on a flat stone in the foundations of the colony’s first church. Leaving a coin on a stone was a common ceremonial practice for Spanish colonies founded in the New World. In this case, the coin ceremony and location were documented by Pedro Sarmiento de Gamboa, the navigator, explorer and historian tasked with colonizing the Strait of Magellan.

From his account of the founding of the colony:

The Governor, with a spade in his hands, cut the first sods for the foundation of the high altar, in the name of the most Holy Trinity, behind him being the Friars in their vestments. Then the captains and officers dug up earth, in the name of their saints and advocates. Pedro Sarmiento placed the first stone in the hole, and in the name of our Lord Jesus Christ and of your Majesty he put a large silver coin, with the arms and name of your Majesty, with the day and year, in a testimony or instrument written on parchment, with the testimony of possession, into a jar, tarred and sealed with charcoal, so as to make it imperishable.

The stone and coin were found in a metal detectors and geolocation survey of the site. The discovery pinpoints the location of the church, and gives researchers an accurate anchor point to understand the layout of the settlement. It verifies the map made by Sarmiento de Gamboa, but the other key structures of the settlement — palisades, dwellings, other churches — have yet to be archaeologically confirmed.

Sarmiento de Gamboa was appointed governor of the Strait of Magellan by King Philip II of Spain in 1581. His instructions were to establish forts on the strategic lands on both sides of the strait to anchor Spain’s control of what was then the only passage between the Atlantic and Pacific. That control was tenuous at best, thanks to Francis Drake’s activities. By command of Queen Elizabeth I, in 1578 Drake targeted Spanish interests on the Pacific coast of South America, attacking Spanish shipping and port cities on the coasts of Chile and Peru. Drake was so successful at disrupting Spanish operations that Francisco Álvarez de Toledo, Viceroy of Peru, ordered Sarmiento de Gamboa to chase him down and capture him.

Drake was already well out of reach when Sarmiento de Gamboa began looking for him, so he returned to Peru empty handed. The viceroy then dispatched Sarmiento de Gamboa’s two ships to explore the coast of the Strait of Magellan for suitable locations where Spain could found fortified colonies with artillery that could be trained on Drake’s or any other enemy’s ships. His orders were to map the area, make sure the English hadn’t founded any forts or settlements of their own and capture Drake dead or alive if they encountered him.

King Philip approved the Viceroy’s plan, granting Sarmiento de Gamboa the governorship of the Strait. After many losses from storms, desertions and illness, the expedition finally entered the Strait of Magellan on February 1, 1584, two years after they had set out from Spain. Sarmiento de Gamboa founded the first colony, Ciudad del Nombre de Jesús, where he made landfall in what is now Argentina. He founded the second colony, Ciudad del Rey Don Felipe, on the Punta Santa Ana near what is now the Punta Arenas in Chile, a location he had first explored in 1580.

Both colonies were ill-fated, the settlers assailed by disease, extreme cold and their inability to be self-supporting. They were dependent on the supplies from Spain but Sarmiento’s ships kept getting slammed by storms, forcing him to dump the cargo to save the vessels and lives of the crew. Eventually his crew refused to go back out, and the colonies were left to their own devices.

In June, 1586, Sarmiento headed back to Spain. That didn’t go smoothly either. His ships were attacked by Walter Raleigh’s fleet and he was taken prisoner, brought before Queen Elizabeth I herself who questioned him for two and half hours in Latin before sending him back to Spain via France. He was captured yet again by Huguenots in December 1586 and kept captive until Philip II finally agreed to pay ransom in 1589.

Meanwhile, back in the Strait, Ciudad del Rey Don Felipe was doing even worse than its founder. When English navigator Thomas Cavendish passed through the town in January of 1587, only 18 people survived of the 300 original settlers who had come with Sarmiento de Gamboa. Cavendish noted that the colony was very well situated, with easy access to firewood and water, and its four forts were still well armed. With almost everyone dead (and unfortunately unburied due to hardship), Cavendish helped himself to some of the artillery and gave one of the surviving colonists passage. The last colonist was rescued in January, 1590, by yet another English privateer, Andrew Merrick. Thus Spain’s attempt to control the Strait of Magellan against English incursions ended with English ships saving the few survivors of the colonization expedition.



* This article was originally published here

Katie Price banned from driving for seventh time

The former glamour model, from Brighton, has received bans totalling more than six years since 2010.

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Katie Price banned from driving for seventh time

The former glamour model, from Brighton, has received bans totalling more than six years since 2010.

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Glencoe hoard linked to massacre finds home in the Highlands

The Glencoe coin hoard, linked to the brutal 1692 massacre of the Glencoe MacDonald clan and maybe even buried by one of its victims, is going on permanent display at the Glencoe Folk Museum in the Scottish Highlands near where it was found.

The hoard was discovered in 2023 during an excavation of a summerhouse in a glen near the Pass of Glencoe that was used as a hunting lodge or feasting hall by chief Alasdair Ruadh “MacIain” MacDonald of the Glencoe MacDonald clan. The coins had been placed in a pot and covered with a pebble before burial under the hearth of a grand stone fireplace.

The pot contained silver and bronze coins from the 16th and 17th centuries. Most of them were British coins, minted by Elizabeth I, James VI of Scotland/James I of Britain, Charles I, the Commonwealth, Charles II. However, it also contained a bronze coin of Philip IV of Spain (r. 1621-1665), a brass coin of Louis XIII of France (r. 1610-1643) and a rare quattrino of Pope Clement VIII (r. 1592-1605). Other objects discovered in the excavation of the hoard include: musket shot, a powder measure, spindle whorls, and high-status pottery from England, France and Germany, including a large fragment from a “beardman” jug produced in workshops on the Rhine.

None of the coins found in the hoard were minted after the 1680s, which indicates they were hidden right before or even during the massacre. Since nobody ever returned to retrieve this valuable treasure, it’s possible the person who buried it was one of the killed. Another possibility is that it was buried there by a survivor fleeing the massacre who never had the opportunity to return. The presence of English coins is expected in a Scottish hoard, but the European coins and pottery fragments suggest some of the coins may have been collected by Maclain himself who was known to have traveled widely on the continent.

Dr Eddie Stewart, senior archaeology lecturer at Glasgow University, said of the project: “The excavations at the summerhouse site, and our surveys and excavations in the wider landscape, paint a vivid picture of the world of the Macdonald of Glencoe chiefs. Instead of wild and savage clansmen in a remote glen, they were highly educated, well-travelled and better connected with access to continental educations, imported wine and tobacco, and fine dining wares from Germany, France, and England.

“The coins from the hoard highlight these connections which surely played a part in how the chiefs presented themselves and performed their status and worldliness to their clan, kin, and guests.”

The Glencoe Folk Museum is the ideal location to tell this story, as it combines the charm of authentic 1800s thatched croft cottages with a new fully accessible exhibition space and a remote engagement program that makes the museum’s collections and events available worldwide via the internet. It is currently closed for construction and will reopen early next year.

Catriona Davidson, the Curator of Glencoe Folk Museum, said: “We are so excited to be adding these artefacts to our collection. One of the aims of our current redevelopment project is to create exhibition spaces with the environmental conditions and security to allow us to acquire more significant objects – and we’re thrilled that this has already paid off.

“Items such as these give us a tangible connection to the people who lived here in the past and can tell us so much about everyday life in the Glen. We can’t wait to work with the archaeology team to interpret the artefacts for the Museum and share their stories in the place where they were discovered.”



* This article was originally published here