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Update: pre-Hispanic mosaic skull repatriated to Mexico

The Mixtec human skull with turquoise, shell, jadeite and quartz mosaic ornamentation has been repatriated to Mexico after more than 60 years spent on display at the National Museum of Ethnology (Wereldmuseum) in Leiden, the Netherlands. It will first go on display at the Museo de las Culturas de Oaxaca, but its permanent home will be the Yucu Saa Community Museum in Villa de Tututepec, Oaxaca, a local museum in the heart of the indigenous Ñuu Savi community, descendants of the Mixtec.

The Wereldmuseum acquired the skull from an American antiquities dealer in 1963 for the equivalent of about $20,000. There was no provenance, very common in an era when unrestrained looting of archaeological sites was rampant and neither the market nor collectors nor museums cared about legitimate ownership histories. The elaborate adornment of the skull ranked it as one of the greatest examples of Mixtec craftsmanship from the Late Postclassic Period (1200-1521 A.D.).

Doubts begin to rise about its authenticity in 2010 after a similar skull was discovered to be a forgery. Studies in 2011 and 2012 found that the skull itself and the mosaic materials did date to that period, but 99% of the adhesive used to affix the mosaic to the skull was from the 20th century. Researchers believe it was created in Oaxaca’s border region using turquoise and human remains found in a dry cave to create a plausible fake for the international art market.

The campaign for repatriation came a decade later when artist Daniel Aguilar Ruvalcaba found about the skull and its complex history while he was in Amsterdam doing a residency at the Rijksakademie. He teamed up with the Nchivi Ñuu Savi collective, an organization dedicated to the promotion of Ñuu Savi culture and rights, to petition the Netherlands’ government for restitution. In 2023, Mexico’s government filed a request for repatriation which was approved at the end of 2024.

The skull was officially returned to Mexico in May 2025 where it was transferred to the Directorate of Public Registry of Monuments and Archaeological and Historical Zones (DRPMZAH) of the National Institute of Anthropology and History (INAH).

Physical anthropologist Olaf Bello Cardoso, from the DRPMZAH, emphasizes that the skull offers biological and social information, which can be further studied in complementary studies, such as radiocarbon dating. He considers it feasible to obtain samples from some teeth or from the temporal bone, the hardest part of the skull, which exceptionally preserves ancient DNA.

“From an anthropological perspective, in addition to conducting physical analyses of the skull, it is important to decipher who the person behind the turquoise mosaic is. For example, it is known that the skull from Tomb 7 of Monte Albán was part of an offering dedicated to a principal figure; in the case of the now repatriated skull, it is possible that the intention was to exalt the individual with the ornamentation of his skull,” he notes.

Meanwhile, the Nchivi Ñuu Savi collective submitted a petition signed by 1,020 residents of Tututepec to INAH asking that their ancestor’s skull be displayed at the community’s own museum, not in the capital. INAH representatives visited the Yucu Saa Museum in June and worked on a plan for the Mixtec’s skull’s safe display. The museum is working to improve its security and exhibition space to make it appropriate for such a significant piece. The plan is for the skull to go on display there in April 2027 after the changes have been completed.



* This article was originally published here

What really goes on in the MasterChef kitchen

The 21st series was filmed at Birmingham's Digbeth Loc Studios.

from BBC News https://ift.tt/2ijQHC0

Update: Royal Sovereign Trafalgar flag bought by museum

The flag flown from HMS Royal Sovereign at the Battle of Trafalgar has been saved for the nation by the North East Museums. One of only three surviving British flags from the epic 1805 battle between the English and Napoleonic navies, it sold at auction to a foreign buyer last year. The UK’s Minister of Culture placed a temporary export bar on the flag to prevent it leaving the country and giving local institutions the chance to acquire it.

Thanks to donations from organizations, including £400,000 from the National Heritage Memorial Fund, North East Museums was able to raise the purchase price of £450,000 ($600,000) and secure this iconic emblem of Britain. They are now raising funds to create a permanent custom display for this huge flag at the Discovery Museum in Newcastle.

The flag has a specific connection to northeastern England. It is also known as the Collingwood Trafalgar flag after Vice Admiral Collingwood, commander of HMS Royal Sovereign and Newcastle upon Tyne native. He was just 13 years old when he enlisted in the British navy in 1761, and worked his way up the ranks, earing the rank of vice-admiral and serving as second in command of the British Fleet under Admiral Horatio Nelson at the Battle of Trafalgar.

Not only was Collingwood a local lad, but much of his crew was too. They were nicknamed the “Tars of the Tyne” because so many of them came from the Tyne and Wear county of northeastern England. Furthermore, they weren’t just fighting under this flag, they actually made it too. It is the only one of the three surviving Trafalgar flags that was handmade by the crew of the ship whose foremast it flew from.

The Union Flag will form the centrepiece of a new permanent display at Discovery Museum, Newcastle, that will celebrate an important regional and national figure and a significant moment in British history.

It will be located in a new section of the museum’s popular Story of the Tyne gallery, which showcases an extensive maritime collection, covering Tyneside’s shipbuilding industry, innovations in maritime technology, and one of the best ship model collections in the country.

The display will also tell the story of the local men who served in Nelson’s navy – there were over 500 ‘Geordie’ sailors at the Battle of Trafalgar.



* This article was originally published here

Gillian Anderson felt 'betrayed' after The Salt Path allegations

The Salt Path film will be released in the United States by Rialto Distribution in September.

from BBC News https://ift.tt/zjtAp3w

Gillian Anderson felt 'betrayed' after The Salt Path allegations

The Salt Path film will be released in the United States by Rialto Distribution in September.

from BBC News https://ift.tt/NMHRvnA

Movie that went viral for terrible animation becomes China box office hit

Niu Lai's confusing plot and laughable animation quality has won ironic fans on the internet.

from BBC News https://ift.tt/g6LitkM

Movie that went viral for terrible animation becomes China box office hit

Niu Lai's confusing plot and laughable animation quality has won ironic fans on the internet.

from BBC News https://ift.tt/8qJ2v7B

First confirmed trebuchet victim identified at Stirling Castle

A new examination of the skeletal remains of man killed seven centuries ago at Stirling Castle in Scotland has found his body was shattered by a blow from above that then pinned him to the ground. This is the first confirmed evidence of casualty inflicted by trebuchet.

Skeleton 150 was discovered in a 1997 excavation under Stirling Castle’s chapel. It was one of nine buried there in the early 1300s, anomalous burials for the period as bodies were usually buried outside the castle walls. Burial under the chapel suggests the survivors had to bury the dead inside the castle because they had no access to the outside. Of the nine bodies found there, five bore the marks of blunt and sharp-force trauma. The atypical burials and the severe injuries indicate they died during a siege, most likely the longest and most destructive one that took place in 1304.

Stirling Castle, a royal residence to Scottish kings since the early 12th century, is located on the main route to Edinburgh and overlooks a key strategic crossing of the River Forth. That put it in the crosshairs during conflicts with England, and the castle has been besieged at least eight times, including during the Wars of Scottish Independence (1296-1357).

Between 1296 when Edward I of England invaded Scotland and 1304 when Stirling was taken by Edward’s forces after a brutal three-month siege, it had changed hands five times. In 1304, it was in Scottish hands again, governed by Sir William Oliphant who held it was a small complement of 25 men. Even when all of the other castles had fallen and the Scottish nobles surrendered, Stirling resisted.

Edward decided to crush Stirling once and for all as a cautionary tale. In April, 1304, Edward ordered Scottish nobles to send soldiers, cavalry and supplies to support the siege of Stirling. He pulled materials to build siege engines from Newcastle and Scotland, stripping the lead roofs off of Scottish churches and confiscating all of the iron and boulders he could get from Glasgow. When the attack began, Edward had assembled the largest array of siege engines in English history. There were at least 13 catapults and trebuchets barraging the castle with massive stones and Greek fire.

For three months Stirling held tight against the assault. Edward ordered construction of the largest trebuchet ever built up to that point in full view of the besieged. He dubbed the beast War Wolf (Loup de Guerre), and when Oliphant saw it, he knew it was over. He surrendered, which did not suit Edward’s purpose, so War Wolf was deployed anyway, and flung a 300-pound stone which broke through the curtain wall and crushed the castle gatehouse. Contemporary chronicler Matthew Paris, who was a witness to events, described the projectile breaking through two massive defensive walls “as an arrow would fly through a piece of cloth.”

University of Bradford bioarchaeologist Jo Buckberry and Historic Environment Scotland teamed up to examine the chapel bones.

Skeleton 150 stood out. Buckberry counted more than 160 separate fractures on the 165-centimeter-tall remains, including a skull smashed in 61 places, a deep, zigzag break to a shoulder, and nearly 60 strange, zigzagging breaks to the ribs. “It’s very clear the energy is going through the chest,” says Uppsala University biological anthropologist Patrick Randolph-Quinney, who worked with Buckberry on the skeletal analysis. “The individual is pinned to the ground quite quickly afterwards.”

The extensive injuries to the rest of the body—particularly the strange breaks on the rib cage and a shattered right leg—ruled out the most obvious possibility, a head-first fall from the castle’s walls. The shape and texture of the breaks eliminated trampling by horses and damage to the skeleton after burial.

To solve the mystery, Buckberry scoured the forensic and medical literature and searched through anatomical collections for equivalent injuries. “It looks like he was hit from behind by something traveling at a great velocity. The most similar cases I was finding were car crashes and people hit by trains,” Buckberry says. “But how do you get from there to a guy in medieval Scotland? What is large and moving very, very quickly in 1304 [C.E.]?”

That would be a 300-pound boulder flung by a trebuchet.



* This article was originally published here

BBC seeks to subpoena family members in Panorama lawsuit

A spokesperson for Trump's legal team responded to the request accusing the broadcaster of "seeking to harass" the president's family.

from BBC News https://ift.tt/A9mLbIG

BBC seeks to subpoena family members in Panorama lawsuit

A spokesperson for Trump's legal team responded to the request accusing the broadcaster of "seeking to harass" the president's family.

from BBC News https://ift.tt/bvqH9uO