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3,800-year-old ritual deposit of figurines found in Peru

A group of 43 figurines deposited as a ritual offering 3,800 years ago have been discovered in Peñico in the Caral Archaeological Zone on the Pacific coast of Peru. The discovery sheds new light on the ceremonial practices and cultural continuity of the people who inhabited the cities of the first urban civilization of the Americas after the demise of the Caral Civilization.

The 43 pieces were carved from wood and bone and include representations of mythological figures, anthropomorphic figures, among them one female and what may be deities, geometric and abstract shapes, zoomorphic figures like birds, snakes, and tadpoles. Some of the figures show evidence of exposure to fire, which archaeologists believe may have been part of the ritual. Beads of Chrysocolla (a blue stone) and different types of shells were found in the grouping. They were likely intended to be inlaid on the carved figures.

Archaeologists found the objects in an excavation of the Major Public Building of Peñico. They had been placed together in a small area bordered with a semicircle of pebbles. It was filled with soil and covered with a capstone. This deposit was associated the construction of a new platform of the building.

The urban center of Peñico was founded around 1800 BCE, with an archaeological occupation area of ​​19.44 hectares, in a period following the decline of the earliest and most prestigious urban centers of the Caral Civilization, including the Sacred City of Caral-Supe, located 12.93 km away. Far from representing a cultural break, research indicates that this city, where 15 public buildings were found, was conceived as a space for integration between the coast and the highlands. It even received goods from the rainforest and preserved and transformed knowledge, ritual practices, and forms of organization inherited from the Caral tradition, which had flourished centuries earlier in the same valley.

The recent discovery provides evidence of this historical continuity. Specialists have identified similarities in the materials used, the incision techniques, and the iconographic patterns present in the recovered pieces. Furthermore, archaeological analyses indicate that the offering was deposited during the initial stages of construction of the Main Public Building, as part of ceremonies related to the consecration of architecturally significant spaces.

The offerings were discovered in December 2025 and have been undergoing cleaning and conservation ever since. Conservation has been completed on 32 of the objects which have now gone on display at the office of the Culture Ministry in Lima.



* This article was originally published here

Melanie C says Spice Girls' 30th anniversary was 'emotional'

The pop star reflected on the band's legacy as she picked up a global impact award in London.

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Pitbull fans set Guinness World Record at BST Hyde Park show

Mr Worldwide's fans have set the Guinness World Record for the largest gathering of people wearing bald caps.

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Melanie C says Spice Girls' 30th anniversary was 'emotional'

The pop star reflected on the band's legacy as she picked up a global impact award in London.

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'मातृभूमि' पर सेंसर बोर्ड ने रोक नहीं लगाई:सलमान खान फिल्म्स ने सर्टिफिकेशन रुकी होने की खबरों को बताया बेबुनियाद

सलमान खान फिल्म्स ने अपनी अपकमिंग फिल्म 'मातृभूमि: मे वॉर रेस्ट इन पीस' को लेकर चल रही खबरों पर सफाई दी। प्रोडक्शन हाउस ने आधिकारिक बयान जारी कर कहा कि फिल्म की सीबीएफसी सर्टिफिकेशन प्रक्रिया रुकी होने की खबरें पूरी तरह गलत और बेबुनियाद हैं। बयान में कहा गया कि फिल्म को अभी तक सेंसर बोर्ड के पास सर्टिफिकेशन के लिए भेजा ही नहीं गया। इसलिए इस तरह की रिपोर्ट्स पर भरोसा न करें। सलमान खान फिल्म्स ने मीडिया और लोगों से अपील की कि बिना पुष्टि की जानकारी न फैलाएं। फिल्म से जुड़े सभी आधिकारिक अपडेट केवल उनके ऑफिशियल प्लेटफॉर्म पर ही शेयर किए जाएंगे। दरअसल, हाल ही में कुछ रिपोर्ट्स में कहा गया था कि सेंसर बोर्ड ने फिल्म 'मातृभूमि' को सर्टिफिकेट देने पर फिलहाल रोक लगा दी है। फिल्म 'मातृभूमि' साल 2020 में भारत और चीन के सैनिकों के बीच गलवान घाटी में हुई सैन्य झड़प पर आधारित है। पहले इस फिल्म का नाम 'बैटल ऑफ गलवान' रखा गया था। फिल्म को पहले 17 अप्रैल को ईद के मौके पर रिलीज किया जाना था, लेकिन बाद में इसकी रिलीज डेट टल गई। इस फिल्म का प्रोडक्शन सलमान खान फिल्म्स के बैनर तले सलमा खान ने किया है और इसके डायरेक्टर अपूर्व लाखिया हैं। फिल्म में सलमान खान के साथ एक्ट्रेस चित्रांगदा सिंह, अभिलाष चौधरी और अंकुर भाटिया मुख्य भूमिकाओं में हैं। फिल्म का म्यूजिक हिमेश रेशमिया ने तैयार किया है। फिल्म 'मातृभूमि' का टीजर 27 दिसंबर 2025 को सलमान खान के 60वें जन्मदिन पर रिलीज किया गया था। इस फिल्म में सलमान खान 16 बिहार रेजिमेंट के कमांडिंग ऑफिसर कर्नल संतोष बाबू का किरदार निभा रहे हैं। कर्नल संतोष बाबू ने ही गलवान घाटी में चीनी सैनिकों के साथ हुई झड़प के दौरान भारतीय टुकड़ी का नेतृत्व किया था। इस झड़प में वे शहीद हो गए थे। वर्कफ्रंट की बात करें तो सलमान इन दिनों फिल्म 'SVC63' की शूटिंग कर रहे हैं। वामशी पेडिपल्ली के डायरेक्शन में बन रही इस एक्शन फिल्म को दिल राजू की श्री वेंकटेश्वर क्रिएशंस प्रोड्यूस कर रही है। फिल्म में नयनतारा पहली बार सलमान के साथ स्क्रीन शेयर करेंगी। फिल्म ईद 2027 पर रिलीज होगी और इसकी शूटिंग अगस्त या सितंबर 2026 तक पूरी हो सकती है।

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Bayeux Tapestry back on English soil after secret Channel crossing

After a secret trip across the English Channel, the Bayeux Tapestry is back on English soil for the first time since it was made 900 years ago. It has been loaned to the British Museum by France after a major conservation project to stabilize the fragile textile made transportation conceivable, although some heritage figures objected to the loan agreement on the grounds that moving the tapestry can’t help but endanger it.

The plan for the transport was very carefully thought-through, leaving nothing to chance. The British government insured it for more than one billion dollars. Experts on both sides of the Channel made two complete test runs with a full-scale replica to ensure it would not be damaged by the stress of the trip. Security measures were also unprecedented, which is why nobody knew the tapestry was coming until it arrived in the middle of the night on Friday.

The 70-meter (230-foot) tapestry was folded accordion-style in a climate-controlled case that was placed inside a shock-absorbing cradle. That went into a truck that crossed from France on a vehicle shuttle train through the Channel Tunnel.

After an 11-hour, 350-mile (560-kilometer) trip, escorted by police, the truck backed slowly into a loading bay at the museum, where workers gingerly eased the container, the size of a small car, to the ground. Museum staff and British and French diplomats who had been watching in hushed silence broke into applause.

The wool thread embroidery-on-linen tapestry created as a visual record of the William of Normandy’s invasion of England in 1066, was woven in the Canterbury area around 1077. It was commissioned by Odo, Bishop of Bayeux, William the Conqueror’s brother, so when it was complete, the tapestry moved to Normandy and has stayed there ever since.

There have been talks previously between the UK and France, and in 2018 there was even a deal announced to e exhibit it in England in 2022. The deal fell through when a condition survey found the tapestry was too weak to be transported. Three years of meticulous conservation ensued and with the Bayeux Tapestry stabilized, French President Emmanuel Macron announced the loan during a state visit to the UK in July 2025.

Now that it has arrived at the British Museum, the Bayeux Tapestry will remain in its custom-made shock-proof case for several days to acclimate to its new location before experts perform a thorough condition check. It will be exhibited at the British Museum from September 10, 2026, until July 2027. Pre-sales of tickets are already through the roof, with 100,000 sold since tickets for the first four months of the exhibition went on sale July 1.

In exchange for the loan of one of the greatest historic artifacts in French and English history, museums in Normandy will be loaned of the British Museum’s most famous objects, including pieces from the Sutton Hoo Anglo-Saxon ship burial and the Lewis Chessmen.



* This article was originally published here

The Pitt leads Emmys race, but Stranger Things snubbed in top categories - see the nominations

The Pitt and Hacks lead the race for America's most coveted TV awards - see the full list of nominations.

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Largest Italian Renaissance artwork in US back on display after 70 years

The largest Italian Renaissance work of art in the United States will emerge from the storage underworld at the Minneapolis Institute of Art for the first time in 70 years. It is a tapestry 17.4 feet high and 15.5 feet wide depicting Dante’s meeting with Virgil in Canto I of Inferno designed by Florentine painter Francesco Salviati between 1546 and 1548.

The monumental tapestry was created in one of two workshops Duke Cosimo I de’ Medici founded in 1545 to rival the famed tapestry weavers of Belgium. He hired Brussels master weaver Jan Rost to get the Florentine workshop off the ground, staffing it with Flemish weavers who brought the secrets of their art from Brussels to Florence. Flemish artist Johannes Stradanus made the cartoon from Salviati’s design and weaving began on The Meeting of Dante and Virgil in 1547. It was completed in 1549.

It captures Dante emerging from the “selva oscura” where he had lost his way. His path is blocked by three animals — a leopard/lynx, a lion and a she-wolf, symbolizing three major categories of sin punished in Hell — but the poet Virgil emerges on a mountain, quiets the animals and gestures to Dante. This scene is set in border with swagged banners, fantastical figures and scrolls.

The ownership history of the tapestry is not fully documented. It was in Rome in the 17th century, part of the collection of the noble Rospigliosi family. Banker John Pierpoint Morgan acquired it there. He loaned it to the Metropolitan Museum of Art (which he co-founded). After his death in 1913, his son J.P. Morgan, Jr., sold the tapestry along with many thousands of objects his father had collected.

The Minneapolis Institute of Art acquired the tapestry in 1915, a donation from Ella Martin in memory of her husband. It was removed from display in the 1950s due to its dire state of conservation. Centuries of light exposure have caused fading, ironically the image of the sunrise suffered the most loss. There are threadbare areas, and despite being extraordinary light (it weighs less than 100 pounds) for its monumental size, the pull of gravity took its toll on the weaving.

For its long-term preservation, the tapestry needed to be exhibited in very low light levels with a new custom-made hanging system. Gaps in the woven silk are being bridges with tulle, invisible to the naked eye but far less complex and invasive than attempting a new weave.

The masterpiece will be the exhibited in the Fiterman Gallery, the only space in the museum large enough to display so enormous a work of art. The exhibition, “Back from the Underworld: Mia’s Dante Tapestry Restored,” runs from July 11, 2026, through January 31, 2027.



* This article was originally published here

Harry loses High Court privacy case against Daily Mail publisher

Judge Mr Justice Nicklin says the claimants had failed to prove the allegations.

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Harry loses High Court privacy case against Daily Mail publisher

Judge Mr Justice Nicklin says the claimants had failed to prove the allegations.

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