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LIVE LIVE - The Car Festival Of Lord Jagannath | Rath Yatra | Puri, Odisha

LIVE - The Car Festival Of Lord Jagannath | Rath Yatra | Puri, Odisha)

73 intact Wari mummy bundles found in Peru

Archaeologists excavating the ancient Wari site of Pachacámac near Lima, Peru, have unearthed 73 intact mummy bundles, some of them with “false heads,” masks made of wood or ceramic. They date to the second half of the Middle Horizon period, between 800 and 1100 A.D., a period when the Wari Empire was expanding in territory and political power.

The burials were found in a complex of cemeteries from different periods at the foot of the Inca-era Painted Temple. The cemetery complex was first discovered in the late 19th century by German archaeologist Max Uhle. They had been widely damaged in the “extirpation of the idolatries” during the colonial period and would be repeatedly looted after Uhle’s excavation. The discovery of 73 undamaged burials is therefore of great archaeological significance.

The team focused on excavating an area where a high wall of adobe bricks built in the Inca and colonial periods had collapsed. They deduced that any burials at the foot of the wall might have been protected by the heavy piles of bricks deterring looters. They were right.

The burials include people of both sexes. The earliest ones were buried individually. Later ones were buried in groups. The bundles are in excellent condition, with organic materials including finely-woven multi-colored patterned textiles, carved wooden masks, elaborately knotted ropes and human remains in an exceptional state of preservation. Two wooden staffs depicting Wari deities were found next to the cemetery covered with a layer of Spondydus princeps shells imported from Ecuador.

The style of these staff is comparable to the famous cult image known as the ‘idol of Pachacámac’. This wooden carving depicts two deities standing on a high pedestal. Each of them looks towards the other like the Roman Janus, but the two figures are clearly joined back to back and each has a different character, i.e. a celestial aspect versus a telluric aspect, and are possibly also of different sexes. Stylistically, the idol is closer to the iconography known from the Castillo de Huarmey, among other places, than from the Wari religious centres at Ayacucho.

The team’s findings contradict the previous understanding of Pachacámac history. It was not, as historians have posited, a sacred city from the construction of the Old Temple during by the Lima culture ca. 200 A.D. through the arrival of the Spanish. During the Wari Empire, it was not the monumental sacred site that was one of the most important in the central Andes. That only happened after it was absorbed in the Inca Empire.

The results of the research to date indicate that during the Wari Empire period, specifically between 800 and 1100 AD, Pachacámac had the character of a settlement, with a ceremonial platform. This platform is currently hidden under the rubble and terraces of the Painted Temple from the Inca period. The cemetery uncovered by Professor Makowski’s excavations does not have the character of an elite necropolis as suggested by Uhle. It is instead comparable to the Ancón site, which was the burial place of fishermen, from the part of the coast between the Chancay and Chillón valleys both during the Wari Empire and in later periods.

Due to the state of preservation and the precision of the documentation of the context of the finds at the time of excavation, as well as the laboratory analyses, the burial assemblages uncovered are a veritable goldmine of information on the social position of men, women and children according to kinship ties, the care of invalids, indicators of war and domestic violence. Nineteen of the bundles, with their lower part preserved and an intact structure, could be transferred to the laboratory in their entirety in order to document them three-dimensionally using CT scanning without having to be opened.



* This article was originally published here

Scotch on the Rocks: The TV drama locked away for 50 years

The BBC Scotland drama Scotch on the Rocks was so contentious it has been locked away for 50 years.

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Scotch on the Rocks: The TV drama locked away for 50 years

The BBC Scotland drama Scotch on the Rocks was so contentious it has been locked away for 50 years.

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Jeremy Clarkson, Richard Hammond and James May film final Grand Tour

The trio launched The Grand Tour on Amazon in 2016 after their departure from the BBC's Top Gear.

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Jeremy Clarkson, Richard Hammond and James May film final Grand Tour

The trio launched The Grand Tour on Amazon in 2016 after their departure from the BBC's Top Gear.

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2,250-year-old saw found in Hattusa

The German Archaeological Institute’s excavation of the ancient Hittite capital of Hattusa has unearthed a rare iron saw dating to the 3rd century B.C. It is the first saw from this period discovered in Anatolia.

Professor Andreas Schachner, who leads the excavations, told Anadolu Agency (AA) that the iron of the saw was thicker than contemporary saws, but otherwise, it is very similar to the ones used today.

“This shows us that humans do not simply modify working tools,” he said.

Approximately eight inches long, the rectangular saw blade has teeth on one long edge that show extensive evidence of wear and tear. It was found on the northwestern slope of the large castle area in a building from the Galatian period. The building was in use around 2,250 years ago when central Anatolia was occupied by the descendants of the Celts who had invaded Greece in 278 B.C. There are few known examples of saws from this era; later Roman saws are more common.

Only the iron blade of the saw has survived. Mounting holes on both sides indicate it had a semicircular handle, likely made of a wood, that the carpenter would have gripped when moving the blade back and forth.



* This article was originally published here

Spotify Wrapped 2023: 'Music genres are now irrelevant to fans'

With over 6,000 classifications on Spotify, fewer fans choose their music by genre in the digital age.

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Spotify Wrapped 2023: 'Music genres are now irrelevant to fans'

With over 6,000 classifications on Spotify, fewer fans choose their music by genre in the digital age.

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Wonka: Timothée Chalamet says people didn't want him to 'mess up' role

The film based on one of Roald Dahl's most beloved characters has its world premiere in London.

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Wonka: Timothée Chalamet says people didn't want him to 'mess up' role

The film based on one of Roald Dahl's most beloved characters has its world premiere in London.

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‘The Hundred Years War Vol 5’ by Jonathan Sumption review

‘The Hundred Years War Vol 5’ by Jonathan Sumption review j.hoare

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Sunak cancels Greek PM meeting in Elgin Marbles row

Kyriakos Mitsotakis, who wants the Parthenon Sculptures returned, is "disappointed" the meeting has been called off.

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Sunak cancels Greek PM meeting in Elgin Marbles row

Kyriakos Mitsotakis, who wants the Parthenon Sculptures returned, is "disappointed" the meeting has been called off.

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Britain's Got Talent: David Walliams reaches 'amicable resolution' in privacy case

The comic was suing the production company after private comments he made were leaked to the media.

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Britain's Got Talent: David Walliams reaches 'amicable resolution' in privacy case

The comic was suing the production company after private comments he made were leaked to the media.

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Louvre acquires $26 million kitchen Cimabue

Four years after a late 13th century painting by medieval master Cimabue was discovered in the kitchen of an elderly woman in Compiegne and sold at auction to a private buyer for $26.6 million, Christ Mocked has officially entered the collection of the Louvre Museum.

It’s been a long, strange journey for the tempera-on-panel depiction of Jesus being taunted by the crowd after his trial before the Sanhedrin. Originally part of an altarpiece diptych of scenes from Christ’s Passion and crucifixion, at some point the panels were disarticulated and sold off individually to collectors keen to acquire one of only 11 known panel paintings by the great Cimabue (1240-1302). The only two other known panels believed to have been part of the original altarpiece are now in the Frick Collection in New York and the National Gallery in London, but only confirmed as the work of Cimabue in 2000.

While the Frick was acquiring its then-unattributed panel and the National Gallery’s was slumbering unrecognized in a Suffolk stately home, Christ Mocked was hanging over a hotplate in a Compiegne kitchen, mistaken by its owner for an old Russian icon. It was only when the lady, then in her 90s, decided to move out of her home and have its contents appraised by a local auction house, that its true identity was discovered. She had no idea where it came from. Louvre researchers think it may have been sold to her ancestors in 1830 by an art dealer from Pisa named Carlo Lasinio who was likely responsibly for selling the other two known panels at the same time.

When it went under the hammer in October 2019, it was the first Cimabue ever to appear at auction, so it was no surprise when the 10-inch panel blew past its pre-sale estimates to sell for nearly $27 million. The buyer was a London collector purchasing it on behalf of the Alana collection, a private collection of Italian Renaissance art in the US. The outfit filed for an export license in December and the French government promptly denied it, declaring the work a national treasure and blocking its export for 30 months to give the Louvre the chance the raise the purchase price and add the Cimabue to its collection.

It’s been more than 30 months, so there was either an extension granted or the announcement was kept under wraps until now. Either way, the Louvre managed to raise the necessary millions thanks to the big revenues from licensing its name to the Louvre Abu Dhabi and a sizable donation from the non-profit American Friends of the Louvre organization.

Christ Mocked will now join Cimabue’s monumental painted panel, Maestà, in the Paris museum. The two works are a fascinating juxtaposition of Cimabue’s range and vision. The Virgin and Child in Majesty Surrounded by Six Angels (aka Maestà) is formally posed in the Byzantine hieratic style. The other two panels of the diptych Christ Mocked was a part of are also painted in that same iconographic style, but Christ Mocked takes a very different approach. It is the first work of Cimabue that seeks to present a naturalism and verisimilitude in the expressions, postures and rendering of space. The faces of the characters in the back are hidden by those of the rows in front of them. They wear contemporary clothing against a backdrop of contemporary Tuscan architecture, conveying their , humanity and modernity to the viewers of the time. The materials he used — gold, lapis lazuli, red lacquer — were among the most brilliant and expensive of the time, artfully employed by later masters like Giotto ( c. 1267-1337) and Duccio (1260-1319), who are often credited with introducing the kinds of innovations seen in Christ Mocked.

Maestà is currently undergoing restoration, and Christ Mocked is being examined by conservators. Its condition is very good, with little paint loss and almost no overpainting, so it will be cleaned and conserved to restore its vivid original color before both panels are presented to the public together in 2025.



* This article was originally published here

Booker Prize: The moment Paul Lynch wins with Prophet Song

The dystopian novel depicting an Ireland slipping into totalitarianism wins the prestigious award for the author.

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Booker Prize: The moment Paul Lynch wins with Prophet Song

The dystopian novel depicting an Ireland slipping into totalitarianism wins the prestigious award for the author.

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Booker Prize 2023: Ireland's Paul Lynch wins with Prophet Song

The dystopian novel depicting an Ireland slipping into totalitarianism bags the prestigious award.

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Booker Prize 2023: Ireland's Paul Lynch wins with Prophet Song

The dystopian novel depicting an Ireland slipping into totalitarianism bags the prestigious award.

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Silesian bracteate hoard found in western Poland

A hoard of medieval Silesian bracteate coins has been discovered in the city center of Szprotawa, western Poland. There are about 100-150 coins minted between 1250 and 1300 in the hoard. Some of the coins were found in cylindrical stacks, indicating they were carefully arranged before being placed in a textile bag with some loose coins. The bag was then tightly tied to keep the coin stacks in place before being buried at a shallow depth on one of the main streets connecting the market square to the Głogowska Gate in the city’s 13th century defensive walls.

Silesian bracteates were minted on one side of a thin silver plate leaving an impression on the obverse that appears on the reverse as a negative. The silver had a high copper content, which is why the surface of the coins now has a green patina. The bracteates were of comparatively low value because of their low precious metal content and susceptibility to wear and tear. Rulers often recalled the coins and replaced them with new ones to refresh the value of the rapidly depreciating coins.

The historic center of Szprotawa is undergoing a comprehensive revitalization program that includes the reconstruction of all the communications infrastructure, new bicycle paths leading to a bicycle station, the renovation town hall, the secondary school, police headquarters and two historic churches. The work is being carried out under the supervision of archaeologists as the medieval city was all but levelled in World War II — an estimated 90% of Szprotawa was destroyed — making the archaeological material underground all the more significant.

Most of the finds so far have been the remains of 19th century tenement house cellars built after the demolition of the medieval walls, but earlier remains have also been uncovered, notably fragments from a 15th century bridge, pieces of the city wall from the early 14th century, the remains of a tower and a section of the medieval Głogów Gate.

The coins are of particular significance because of their dates. First recorded in around 1000 A.D. as a small settlement, Szprotawa was grated town rights in 1260 and full city rights in 1304. Its defensive walls were built by Silesian Piast Duke Konrad I of Głogów after he granted Szprotawa its town rights, so the coins were minted as the city came into its own.



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Raye to Louis Theroux: 'Abuse of power can be crippling'



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Raye to Louis Theroux: 'Abuse of power can be crippling'



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Europe’s oldest functioning compass found in Estonia wreck

One of the artifacts recovered from the wreck of the medieval ship unearthed near the Old Town Harbor of Tallinn, Estonia, in 2022, is Europe’s oldest dry compass still in working order.

The cog was excavated from its location on Lootsi Street and transported to the Estonian Maritime Museum in four pieces. Archaeologists of the Estonian Maritime Museum and experts in ship conservation from Finland have been cleaning and conserving the cog in a purpose-built hall where visitors can see the work in progress.

The excavation and conservation process uncovered a number of finds in excellent condition, including leather shoes, wooden spoons and tools, preserved by the waterlogged mud of the harbor. The shoes were well-worn and repaired, so not cargo intended for sale. This suggests the ship was sunk in an accident and everyone who could escape did so, leaving behind their belongings. The compass and the well-preserved remains of two rats who apparently did not desert the sink ship were the most surprising finds.

[Archaeologist Priit Lätti of the Estonian Maritime Museum] aid that Estonia’s medieval ships really stand out among other similar finds because they are not empty. Medieval ships found in Germany and the Netherlands are mostly empty, the researcher said.

“Ours are full of finds, and the finds are wall to wall, giving us clues about everything from eating habits on board to clothing to navigational equipment,” he said.



* This article was originally published here

Huda Kattan: Beauty industry is sexist, says make-up icon

Huda Kattan, the influencer and owner of Huda Beauty, says the cosmetics industry objectifies women.

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Khtek: The Moroccan rapper who is grateful to have bi-polar disorder

Khtek, one of Morocco's biggest rappers, talks to the BBC about sexism and mental illness.

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S4C chief executive Sian Doyle is sacked following review

It comes following a review into procedures at the publicly-funded Welsh-language channel S4C.

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S4C chief executive Sian Doyle is sacked following review

It comes following a review into procedures at the publicly-funded Welsh-language channel S4C.

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Archaic stone anchors found off Syracuse

Two stone anchors from the Greek Archaic Period (800-480 B.C.) have been discovered on the seabed off the coast of Syracuse, Sicily. They were spotted by a private individual who reported it to the Superintendence of the Sea of the Sicilian Region. The Superintendence followed up with a survey of the reported find site. They documented a three-hole triangular anchor about 27 inches long, and a second one with a single hole and ovoid shape.

The intervention was carried out on a marine area of about 250 square meters, which was surveyed and documented in order to verify the presence of additional archaeological finds. A protection operation that saw the two underwater units engaged, with the support of the vedetta V.7007 of the Naval Operations Section of the Guardia di Finanza of Syracuse, which ensured safety at sea during the dives.

“This type of intervention,” says Regional Councillor for Cultural Heritage and Sicilian Identity, Francesco Paolo Scarpinato, “confirms the importance of collaboration between public agencies and law enforcement agencies in safeguarding cultural heritage. Also of great value is the collaboration of private individuals that, over the years, has casually led to the identification of numerous artifacts, with the only common goal of recovering and enhancing our cultural heritage.”

The two anchors will be recovered and conserved for display in a local museum.



* This article was originally published here

Events firm fined after fall death of stage worker

ELP Broadcast and Events is fined £16K after an investigation into a stage worker's death in 2018.

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Noah Kahan repays Olivia Rodrigo with Live Lounge cover

His track Stick Season blew up online after Olivia's cover in the Radio 1 Live Lounge last month.

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Obsidian from Neolithic shipwreck recovered off Capri

Maritime archaeologists have recovered a block of worked obsidian from a Neolithic shipwreck off the coast of Capri, Italy. Archaeologists from the Superintendency for the Metropolitan Area of ​​Naples recovered the first of a group of worked obsidian cores in a dive on Monday, November 20th. The presence of obsidian blocks in the area had been reported by divers in 2012, but not the specific location. They were located in October near the famous White Grotto of Capri by an underwater unit of the Naples police, and a month later the site was explored by maritime archaeologists.

The block they recovered measures approximately 11 by 8 by 6 inches and weighs almost 18 pounds. It bears traces of chiseling and processing, which is how archaeologists know it was trade material, not a random chunk of obsidian that made its way to the seabed on its own.

No remains of a ship were found, but the dispersal area of the obsidian was much larger than reported and at a depth of between 100 and 130 feet. That indicates the blocks were the cargo of a lost ship. The
Superintendency is planning an extensive instrumental survey of the seabed to look for the possible hull and any other cargo material around the find site.

The obsidian block was transferred to a warehouse of the Superintendency and awaits cleaning and conservation. Conservators will remove the concretions on its surface to analyze the block in detail.

It was in the Neolithic that obsidian began to be used to create sharp weapons and cutting tools. It chips as easily as flint, but creates a sharper edge. In the late 19th century, a major cache of obsidian blocks and more than 800 finished obsidian objects was discovered on a private estate in Capri. They were the remains of a 7,000-year-old obsidian cutting workshop. Recent analyses of those obsidian materials determined they originated in Lipari, a volcanic island in the Aeolian Archipelago north of Sicily whose rich obsidian flows were extensively quarried by Neolithic communities. The presence of Lipari obsidian in Capri is evidence there was an active trade over land and sea.



* This article was originally published here

Arnolfini gallery cancels Palestine film festival

More than 1,500 people have signed a letter criticising the Arnolfini's decision to cancel the event.

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Who is I'm A Celebrity's Nella Rose?

The influencer is the talk of the jungle in I'm A Celebrity... Get Me Out Of Here.

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Unique medieval seal matrix found in Norfolk

Gilded silver seal matrix, late 13th-early 14th c. Photo courtesy Andrew Williams/Norfolk County Council.A metal detectorist has discovered a medieval gilded silver seal matrix with several unique features in a field north of Norwich, southeastern England. It was discovered in April near Horsham St Faith and dates to the late 13th or early 14th century.

The circular seal is .9 inches in diameter and the central motif is a crowned Virgin Mary holding the Christ Child. A monk on his knees prays to her right. A scroll running upwards from the tips of his joined hands reads AVE * MA (Hail Mary). The scene is set in a quatrefoil frame. Set in a beaded circular border around the edge of the die is an inscription in medieval Latin that reads TE: ROGO: IVSTICIE: SOL: PIVS: ESTO: VIE. That translates to “I beseech thee, holy sun of righteousness, be the way.” This inscription has never been found before on any other seals or objects.

Dr Geake, Norfolk’s find liaison officer, said: “It’s completely unique, we don’t have anything to compare with this inscription.

“The ‘sun of righteousness’, appears in the Old Testament, towards the end of a set of prophecies, and became a relatively common way of referring to Jesus Christ in the Middle Ages.”

The iconography of Virgin and Child with a kneeling monk is relatively common on seals, both private ones and ones used for official ecclesiastical documents, but there is no directly comparable example of this imagery on a circular seal. This matrix has another very unusual feature: the reverse is a recessed socket with a notched border that suggests it had a detachable handle that could be inserted and turned to lock it in place. Seals with sockets for handles are known on the archaeological record, but the handles were permanently mounted, not interchangeable.

[Dr Geake] believes it must have been owned by a monk and he would have exchanged the die with others, one of which was personal and another to reflect his official role in the monastery.

“It’s unique in two different ways – it’s interchangeable and it has this little, private prayer,” Dr Geake said.

“It’s a window into someone’s personal, emotional or spiritual world in the years before the Black Death.”



* This article was originally published here

From Burnout To Balance: Proven Stress Management Techniques For A More Productive Work Environment

Feeling overwhelmed at work? Worry not! Here is a quick guide to managing stress at office and exploring strategies for a calmer, balanced work life.

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Annabel Giles: TV presenter and actress dies

Annabel Giles, TV presenter, model and actress, was diagnosed with a brain tumour in July.

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Annabel Giles: TV presenter and actress dies

Annabel Giles, TV presenter, model and actress, was diagnosed with a brain tumour in July.

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Mizzy: TikTok prankster detained for posting videos without consent

The TikTok prankster is sentenced to 18 weeks' detention in a young offender institution.

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Archbishop Wulfstan: England’s Forgotten Lawmaker

Archbishop Wulfstan: England’s Forgotten Lawmaker j.hoare Tue, 11/21/2023 - 08:46

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Rory Kinnear calls for improvements to health and safety on set

BBC News has found widespread concern about poor safety practices in film and television.

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Rory Kinnear calls for improvements to health and safety on set

BBC News has found widespread concern about poor safety practices in film and television.

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Ballet school teacher on trial over sex attack charges

The alleged assaults on nine teenage students are said to have taken place between 2004 and 2019.

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Ballet school teacher on trial over sex attack charges

The alleged assaults on nine teenage students are said to have taken place between 2004 and 2019.

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Three decades later, Labyrinth Mosaic returns to Giannutri

More than 30 years after it was removed, the famous Labyrinth Mosaic has returned to Giannutri, the southernmost island of the Tuscan Archipelago. In black and white tiles, the mosaic depicts the intricate labyrinth of Knossos. Hero Theseus confronts the Minotaur in the center while Ariadne waits off to the side, holding the ball of thread that will lead Theseus out of the maze and back to safety.

The mosaic was uncovered between 1928 and 1934 in excavations of the 1st century A.D. villa of the Domitii Ahenobarbi family, a prestigious plebian family with a long line of consuls going back at least to the early 2nd century B.C. who married into the Julio-Claudian dynasty. The emperor Nero was born Lucius Domitius Ahenobarbus, the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger, great-granddaughter of the emperor Augustus. In the late Republic and early Empire, when the Ahenobarbi were at their peak of wealth and influence, they had no fewer than three pleasure palaces on islands in the Tuscan Archipelago, each with their own ports for the family’s sailing ships. One of the luxurious seaside villas on the island of Giannutri. It was a vast complex with utilitarian structures (cisterns, latrines) and elegant residential ones (peristyle gardens, reception rooms, baths). The rooms were large and its decorative marbles and mosaics of the finest quality.

The find site of the mosaic — in front of the entrance to the villa — was private property and open and exposed fully to the elements. By the time the Superintendency surveyed the condition of the mosaics in 1989, they had deteriorated significantly. Authorities decided it was necessary to remove the most significant one, the Labyrinth, to prevent further deterioration and conserve what remained. The lower half of the mosaic was already completely lost, and had the mosaic remained in situ, the rest of it would not have survived for long. It was detached in 1991 and stored.

A decade later, the mosaic was transferred to a conservation laboratory in Rome where the scattered black and white tiles were re-added to the mosaic using archival photographs from its discovery as guides. It was moved to the warehouse of the National Archaeological Museum of Florence in 2002. It was only displayed publicly twice, exhibited briefly in 2003 and 2004. It has remained in the National Archaeological Museum of Florence for 20 years.

In 2022, the Archaeological Superintendency of Tuscany began to plan the return of the mosaic to its place of origin on Giannutri. First it was subjected to a new cleaning and conservation. There was some limited damage (shifting of tiles), but the adhesion to the panels was still strong; there were no cracks, no accumulated salts. The mosaic was consolidated and a new support structure installed to anchor the mosaic panels.

The mosaic was transported to Giannutri this summer where it was installed in the cryptoporticus area, not in its the original location. The cryptoporticus is completely covered, providing protection from the elements.



* This article was originally published here

British actor and White Mischief star Joss Ackland dies aged 95

The stage and screen actor appeared in films including White Mischief and 1989's Lethal Weapon 2.

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British actor and White Mischief star Joss Ackland dies aged 95

The stage and screen actor appeared in films including White Mischief and 1989's Lethal Weapon 2.

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Russell Brand quizzed by Met Police over sex offence allegations

Comedian Russell Brand has been questioned by the Met Police over three allegations of historical sex offences

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Russell Brand quizzed by Met Police over sex offence allegations

Comedian Russell Brand has been questioned by the Met Police over three allegations of historical sex offences

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Marble “Apollo lizard-killer” found at San Casciano

The excavation of the ancient Etruscan and Roman sacred baths at San Casciano dei Bagni in Tuscany has unearthed another extraordinary treasure: a marble statue of Apollo Sauroctonos (Apollo Lizard-killer), depicting a youthful Apollo leaning against a tree about to catch a lizard climbing up the trunk. It’s a Roman copy of a bronze original by the renown Greek sculptor Praxiteles, one of about forty known to exist.

The statue of Apollo was discovered this summer on the edge of the Great Bath, the hot spring sacred to the Etruscans and Romans. Life-sized at around six feet high, it was broken into sections but the pieces are large and most of them have been recovered so that the statue can be reassembled almost entire.

Apollo was one of the major deities of the sanctuary. The hot springs and mineral waters were believed to cure illness, and the gods connected to health were worshipped there by people seeking cures. Apollo was the god of healing and diseases, so petitioners left votive offerings — coins, figurines, sculptures of afflicted body parts, effigies of the gods — to petition a cure for what ailed them. The lizard Apollo is hunting in the statue had medical relevance as well. Lizards were key ingredients in medications for diseases of the eye. Bronze votive figurines of lizards have been found in the San Casciano baths, offerings from people with ophthalmic complaints.

One of the extraordinary group of bronzes discovered in 2022 was a dancing Apollo figure from the oldest basin at the sanctuary. It likely dates to around 100 B.C. Based on its size and style, the marble Apollo Sauroctonos probably dates to the 2nd century A.D. It was broken in the early 5th century A.D., when the Christianization of the territory led to the temples and statuary being toppled into the basins and the sanctuary closed.

Another noteworthy discovery made this summer is a travertine votive altar with a bilingual inscription in Latin and Etruscan. It dates to the 1st century A.D. The inscriptions reference the sacred hot springs, a testament to the coexistence of Etruscan and Latin cultures at the sanctuary well into the imperial era.



* This article was originally published here

Napoleon's Ridley Scott on critics and cinema 'bum ache'

The director says his response to criticism from historians about his film would "have a bleep in it".

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Napoleon's Ridley Scott on critics and cinema 'bum ache'

The director says his response to criticism from historians about his film would "have a bleep in it".

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Taylor Swift postpones Rio de Janeiro concert after death of fan

The US pop star says she is putting safety first after temperatures in the Brazilian city reached 39.1C.

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Taylor Swift postpones Rio de Janeiro concert after death of fan

The US pop star says she is putting safety first after temperatures in the Brazilian city reached 39.1C.

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50 intaglio gems found at Roman site in Northern Italy

Archaeologists have unearthed 50 intaglio gemstones, 3,000 coins, including one rare piece from the Roman Republic, in the remains of a theater at the ancient Roman town of Claterna, in Ozzano dell’Emilia, near Bologna. The gems are engraved with images of deities and important structures, including the theater where they were discovered. The stones were locally produced, suggesting there was a workshop in the city that specialized in intaglio production.

One of the coins is particularly notable due to its rarity. It’s a quinarius, a silver coin of the Roman Republic dated 97 B.C. The obverse features a laureate head of Apollo and is inscribed with the name of the moneyer, C. Egnatuleius. The reverse features a winged Victory adding a shield to a trophy. A carnyx, symbol of Gaul, leans to the left. “ROMA” is inscribed beneath. This is a representation of Rome’s military victory over the Cimbri who had swept over the Alps from Gaul to invade northern Italy. They clashed with the forces of the formidable Roman general Gaius Marius at the Battle of Vercellae in 101 B.C. The Cimbri were annihilated — 100,000 warriors dead, women killing their children and then themselves, the few thousands who survived enslaved.

The Roman city of Claterna, less than 200 miles southeast of Vercellae, was founded on the site of an Etruscan-Celtic settlement in the first half of the 2nd century B.C. Its location at the crossroads of two major Roman roads — the Via Aemilia and the Via Flaminia Minor — brought it a constant stream of travelers and trade. It was elevated to the rank of municipality in the 1st century B.C., the first example of urbanization and the largest city in the area for centuries after. It was home to several luxury villas as well more modest dwellings, industrial glass and metalworking facilities and mansios (post stations along the Roman roads where official travelers could get food, lodging and fresh horses). In its heyday, the city covered an area of 30 hectares not counting the suburbs.


It was targeted by repeated barbarian raids in the calamitous 3rd century and gradually became depopulated until it was finally abandoned at the beginning of the 6th century. Its ruins were buried under farmland and its location forgotten, making it a rare example of a Roman urban center that was never built over. The first excavations began in 1891, uncovering the remains of roads, baths, sewers, bronze artifacts and the mosaic floors of grand villas. These discoveries were reburied for their protection. A systematic program of large-scale excavations began in 2005 and is ongoing today to explore what is the largest non-stratified archaeological area in Northern Italy.



* This article was originally published here

David Tennant returns as Doctor Who for Children in Need

The clip sees Tennant crashing his Tardis at the "genesis of the Daleks" - the Doctor's long-standing enemy.

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David Tennant returns as Doctor Who for Children in Need

The clip sees Tennant crashing his Tardis at the "genesis of the Daleks" - the Doctor's long-standing enemy.

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The Beatles' hits albums denied number one (again)

The Fab Four's hopes of correcting a historic blip in their chart record are dashed by Taylor Swift.

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Download Festival did not break noise and traffic rules, probe finds

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London workhouse had painted walls, fireplaces

The remains of an early 19th century London workhouse suggest that it did not start out the bleak, uncomfortable environment so vividly described by Charles Dickens and other Victorian writers. The plastered walls were painted a soothing light blue; the rooms were heated with fireplaces; even hot water bottles were available.

Since early this year, archaeologists from the Museum of London Archaeology (MOLA) have been excavating the two-acre site before construction of a new state-of-the-art ophthalmology center. It is part of a five-acre site that includes St. Pancras Hospital, originally St. Pancras Workhouse, named after the neighboring Church of St. Pancras in what was then a suburb of London.

The workhouse was built in 1809 to accommodate 500 indigent people, often families. An infirmary was added three years later, and by the middle of the 19th century, the population of the workhouse had increased more than threefold, fluctuating between 1,500 and 1,900 at its peak. Additions to the workhouse and infirmary were built to keep up with the number of residents. The workhouse was finally shut down in 1929 and its surviving buildings folded into the hospital.

As the name suggests, the idea of the workhouse was that the state would provide relief to the poverty-stricken in the form of a roof over their heads and enough food to survive in exchange for their unpaid labor. Church parishes were part of the administration of relief initially and there was some flexibility in the treatment of indigent families and individuals. That came to an end with the 1834 Poor Law.

By the 1830s, conditions inside the workhouses were dangerous, cramped and prison-like. Infectious diseases were rampant, beds were crammed into every possible space and inmates worked long hours on industrial production lines. Other means of relief, like parish disbursements that did not require institutionalization, were discouraged and the poor encouraged to sell whatever scraps they still owned to be allowed into the workhouse. Children were separated from their parents and the workhouses turned to profitable enterprise administered by businessmen. All workhouse inmates, adults and children, were assigned to painful, repetitive hard labor like crushing bone to make fertilizer, or picking oakum.

The area currently being investigated was known to have had some workhouse structures, but they did not survive. They were damaged in the Blitz and demolished after World War II. The MOLA team has been excavating the site where these buildings once stood and expected to find their foundations, ground floors and associated artifacts.

The new evidence suggests the St Pancras workhouse may have started out with a greater interest in support than deterrence. Williams said: “While the facilities are spartan, the inmates were not there to be punished … There were gardens, an infirmary and nursery. These acknowledge their needs as much as the heated rooms, or the pale blue paint on the walls.”

The finds include institutional crockery – with plates bearing an image of St Pancras and the words “Guardians of the Poor St Pancras Middlesex” – and the remains of a bone toothbrush with horsehair bristles, suggesting the importance of personal hygiene.

Inmate hygiene, comfort and even basic needs like a modicum of heat fell by the wayside after the Poor Law and the explosion of the population at St. Pancras. Henry Morley, a friend and collaborator of Charles Dickens, mentioned St. Pancras Workhouse in an article entitled The Frozen-Out Poor Law published in Dickens’ publication All the Year Round in February, 1861:

A woman, during the intense frost, was met in the evening carrying home her weekly quartern loaf from Saint Pancras Workhouse. (Was it not there that guardians of the poor, not long ago, excited wrath among parishioners by putting themselves on the parish for hot dinners at their weekly meetings?). The woman was met shivering with cold; she had been waiting for her dole, from twelve o’clock till half-past four, in a room with a stone floor, which she declared had not been warmed in any way. “I could have stood it better,” she said, “if there hadn’t been such a dreadful could draught from them wentilating places all round the floor.” The “ventilators” out of which the cold blast came, were the pipes of the disused warming apparatus. If was desirable to use that apparatus for the benefit of paupers, even when the thermometer wavered between freezing and zero. […]

A vestryman is asked whether this woman’s story, not the first or the tenth of its kind, could be true ; were the poor really exposed to so much suffering when they came for relief? “Yes,” he replied, ” and wilfully. I have tried to effect a change, but only three would side with me. The rest thought that if the poor creatures were made too comfortable, more would come.” We take our illustration from St. Pancras simply because it is natural for anybody to look to St. Pancras of evil repute, when he wishes to lay his hand on any sort of abuse incident to the administration of the Poor Law. But the illustration serves for the whole system, which makes workhouses discouragements to poverty, and gaols encouragements to crime.



* This article was originally published here

Angélique Kidjo on being hangry and Africa's tsunami of talent

The African music star mulls her 40-year career, which is to be celebrated at the Royal Albert Hall.

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Mean Girls musical: Will a modern take on the cult classic win over Gen Z?

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Sean Combs: Singer Cassie accuses rap mogul of rape and abuse

The rap mogul is labelled a "serial domestic abuser" in a lawsuit, which his attorney called "outrageous".

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Sean Combs: Singer Cassie accuses rap mogul of rape and abuse

The rap mogul is labelled a "serial domestic abuser" in a lawsuit, which his attorney called "outrageous".

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Iron Age engraved ivory found at Hattusa

An engraved ivory panel from the Iron Age has been discovered in the ancient Hittite capital of Hattusa in modern-day Boğazköy, north-central Turkey. It is around 2,800 years old. The piece of elephant ivory is about a foot long and four inches wide. Carved on the surface are a sphinx and a lion in profile, back-to-back, with two tree of life figures on each end.

Archaeologists believe the ivory piece was likely mounted onto a wooden box or wooden furniture. The left and right sides are jagged and broken, while the top and bottom are smooth. That suggests the piece was originally longer, but the width is still the same.

Hattusa was found around 2000 B.C. and was the capital of the Hittite Empire from 1700 B.C. until it fell in the Bronze Age collapse around 1200 B.C. The ivory panel was unearthed on the northwest slope of the Royal Citadel, seat of the Hittite kings, and while the empire was long gone when the ivory was engraved, its iconography is a callback to Hittite culture. The defensive walls of Hattusa’s Upper City had a Lion Gate, flanked by two monumental lions, and a Sphinx Gate, flanked by two massive winged sphinxes with upright tails. Both portals date to around 1500 B.C.

When the ivory was engraved, Hattusa had only recently become repopulated after it was abandoned when the Hittite Empire fell. A small Phrygian contingent settled there around 800 B.C. There is also archaeological evidence of several cultures in the Iron Age layers of Hattusa. The discovery of so fine an ornament may rewrite the little we know of this period in the city’s history.

Schachner said, “This work is a unique work for Boğazköy. This is the first time we are faced with a work that is so intense and decorated with such a beautifully crafted scene. During the Iron Age, very extensive excavations were carried out in Boğazköy, but such a detailed work was not uncovered. “In terms of both the stage and the iconography and style used, we can better reveal Boğazköy’s relations towards Southeastern Anatolia and its artistic relations towards the Southwest and Greece in its period, that is, in the first millennium BC.”

“If there is such a work, it is possible to say that this place is no longer a small town, but a more important one, perhaps a center of power. Because when we evaluate it with another discovery in previous years, it is possible to say whether it points to a complex social structure or a hierarchical social structure. “Slowly, it is possible for us to obtain better information about the social status of that period.”

After the scientific studies on the work are completed, the ivory work in question will be exhibited at Boğazköy Museum.



* This article was originally published here

The Crown: Netflix to release first part of the final season on Thursday

The royal drama will depict the events leading up to Diana's death in 1997, and the aftermath.

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Ai Weiwei's London exhibition called off over Israel social media post

The Chinese artist says his new London exhibition was "effectively cancelled due to my tweet".

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Ai Weiwei's London exhibition called off over Israel social media post

The Chinese artist says his new London exhibition was "effectively cancelled due to my tweet".

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Margot Robbie unable to speak at Saltburn premiere

The actress and producer lost her voice before her first red carpet since the end of the actors' strike.

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Winged phallus wind chime found at Viminacium

A Roman phallic wind chime was discovered last week at the ancient site of Viminacium in Serbia. The object, known as a tintinnabulum, is made of bronze and has an intricate design of a central winged phallus with additional projecting phalluses and four bells hanging from chains. It is only the second tintinnabulum ever found at Viminacium, and the only one found in its original archaeological context. Nothing is known about the discovery of the first one and the object itself is in a private collection in Austria.

Located about 30 miles east of modern-day Belgrade, Viminacium had a large permanent military camp garrisoning the border with the Goths and was the capital of the Roman province of Moesia Superior. It had the largest amphitheater in the Balkans and the largest cemetery discovered anywhere in the territory of the Roman Empire. The site has been excavated regularly since its rediscovery in the late 19th century. The current excavation is exploring the civilian settlement that grew around the military base.

“The investigation of the civilian settlement (city) of Viminacium has just begun, and the first significant discoveries have already been made. During the excavation of one of the main city streets, the gate of one of the buildings was discovered. It was established that the building was destroyed in a fire, during which the porch collapsed and fell to the ground, and in the garage layer an object known in scientific circles as a tintinnabulum was discovered ,” [said Ilija Danković, an archaeologist at the Institute of Archaeology in Belgrade].

Tintinnabula were often hung near or on doors as an amulet to ward off evil. They were usually made of bronze and featured that favorite of Roman talismans, the fascinus, or phallus. The phallus represented the deity Fascinus and had apotropaic powers; ie, the ability to avert evil or bad luck. Bells were also apotropaic as their ringing was believed to frighten away evil spirits, so tintinnabula were doubly powerful protection.

The phalluses in tintinnabula morphed into a variety forms. They could be deities, humans, wolves, lions, winged beasts, monsters, a combination of several. Frequently more than one phallus sprang out from the figure. The recently-discovered Viminacium example is either being ridden by an anthropomorphic figure with legs or has its own legs. It has been recovered encased in soil for careful micro-excavation in laboratory conditions. Its configuration will be revealed once it has been cleaned and conserved.



* This article was originally published here