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Sunday, 4 February 2024
Dua Lipa, Billie Eilish and SZA set to star at Grammy Awards
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Angela Rippon 'stopped breathing' on Strictly tour
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Angela Rippon 'stopped breathing' on Strictly tour
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Saturday, 3 February 2024
19th c. pearl shells unearthed in French Polynesia
An archaeological team from the University of Sydney has discovered pearl shells connected to the French colonization of Polynesia in the 19th century. The three complete pearl shells were found under an iron axe head at the site of missionary school on Aukena, one of the Îles Gambier of French Polynesia. The intact shells are evidence of how the missionaries trained schoolboys to process saltwater oysters for export.
In collaboration with members of the local cultural association Te Ana Pouga Magareva, the team excavated priests houses and a boy’s school associated with missionary churches on the islands of Aukena and Akamaru. At six different sites excavated in October and November 2023, the team unearthed more than 1,500 objects from daily use items — plates, bowls — to consumables — medications, alcohol — and remains from meals of fish, bird and shellfish.
The richest trove of finds came from the priests’ house at the Church of Notre Dame de la Païx at Akamaru. Hundreds of fragments of glass were recovered at the site, equating to dozens of bottles of gin, champagne and wine, as well as perfume and medicine imported from France, Britain, and the Netherlands.
Another distinctive find was hundreds of complete and fragmented pearl shells (from the Pinctada genus), which were cultivated to be worked into objects like buttons and decorative inlay, offering a glimpse into the island’s former pearl shell industry. […]
Traditionally, in French Polynesia, pearl shells were used for fishing lures, tattooing needles, pendants and figurines. By the 1840s, they were harvested en masse and exported around the world. The missionary endeavour in Mangareva was supported by Polynesian people cultivating and preparing thousands of tonnes of the valuable shells.
The iron axe and oyster shells found at the boys’ school on Aukena indicate the children in the school were being trained not just to make saleable finished pearl shell goods for export, but to farm the oysters, raise them to useable size, harvest and process them.
Excavations at Akamaru, Aukena and Mangareva will continue next year.
* This article was originally published here
Italian minister resigns amid stolen painting probe
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Italian minister resigns amid stolen painting probe
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Friday, 2 February 2024
Legio XIII Gemina bricks found in Vienna
An archaeological excavation of an elementary school in Vienna has uncovered bricks bearing the stamp of the Roman 13th Legion Gemina.
The Kindermanngasse Elementary School is the fourth oldest school in Vienna and its location in the historic center of the city required that it undergo an archaeological exploration before a planned renovation. The Vienna City Archaeology department has been excavating the inner courtyard for several weeks and unearthed evidence of a large-scale Roman building — traves of wooden beams and post holes — from the 2nd century. Archaeologists believe it had an industrial purpose, perhaps the production of bricks, although so far there has been no smoking gun to explain the function of the building. In one trench the team found a pit filled with bricks stamped with the name of Legio XIII Gemina. They were likely the broken remnants of pilae stacks, the pillars of brick used to raise the floor for the hypocaust heating system.


The excavation is expected to come to an end early this month.
* This article was originally published here
'Male UTI Is Always Complicated', Doctor Shares Alarming Symptoms Of Urinary Tract Infection
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Rare Disorder Behind Extra Fingers And Toes: Study
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Thursday, 1 February 2024
Rediscovered Guercino Moses joins his David at Waddesdon Manor

The painting was rediscovered in November 2022 when it came up for auction in Paris attributed to a nameless painter of the Bologna school. The auction house’s experts hypothesized it may have been the work of a student of Guido Reni’s. Guercino was another possibility, based on comparisons with a known work of his, Head of an Old Man, at the Ashmolean Museum in Oxford that has a very similar composition: an old man with a cottony white beard looking up, his face bathed in light. There was also a copy of the same Moses by a pupil of Guercino’s, Bendetto Zalone, that sold at auction in 2001.

In September 2023, Moses re-emerged at the Moretti Fine Art gallery. It turned out that Fabrizio Moretti, owner of the gallery and Old Master expert, was the mystery buyer. He rolled the dice happily, believing at first glance that Moses was an authentic Guercino. In the ten months since the auction, the painting was professionally cleaned and thoroughly researched to establish its provenance. Experts Letizia Treves, formerly of London’s National Gallery, and Keith Christiansen, formerly of the Metropolitan Museum of Art, conclusively attributed the painting to the Baroque master.
Moses is a masterpiece of Guercino’s Prima Maniera – used to describe the paintings he produced in Cento outside Bologna before a sojourn to Rome in 1621-23 – and is datable to about 1618-19, a time in which the young Guercino was greatly in demand producing altarpieces for churches in Cento as well as easel paintings for an ever-growing private clientele. The light, fluid and painterly touch in Guercino’s Moses may be compared to that in his King David, datable to a year or two earlier (c. 1617-18, Musée des Beaux-Arts, Rouen) and the Head of an Old Man (c. 1619-20, Ashmolean Museum, Oxford), which shares Moses’s tightly cropped bust-length format. Guercino appears to have used the same model for the painting as the figure of Elijah in Elijah Fed by Ravens (1620, National Gallery, London), likely using a tracing or cartoon of Moses’s head for the figure of Elijah, reversing it in the process and turning it slightly.
Moses is first recorded in 1624, in the eminent collection of cardinal Alessandro d’Este (1568–1624) in Rome, a patron of Guercino who almost certainly knew him during the period the painter resided in the city 1621–23. Although this period post-dates the execution of Moses, Guercino may have sold or given the painting to the cardinal to strengthen ties with him and his family. Indeed, from 1630 for a period spanning two decades, Guercino enjoyed the patronage and support of the Este in the form of the Duke Francesco I d’Este (1610–1658), the cardinal’s nephew. Following the death of cardinal Alessandro d’Este, the painting entered the renowned Este ducal collections in Modena and remained there until the Napoleonic era, whereupon it was taken to France during the Napoleonic occupation of the Duchy of Modena (1796–97) and all trace of the painting was lost. Prior to its rediscovery, Guercino’s Moses was known through seventeenth-century painted copies, a drawing and engravings, all of which attest to the work’s art historical significance.
The painting, restored to its former brilliance and to its identity, was displayed at Moretti Fine Art’s Paris gallery with a new price tag of €2 million ($2.2 million). The Jacob Rothschild Foundation snapped it up so Moses can keep King David company in the exceptional art collection at Waddesdon Manor, the palatial estate purpose-built by Baron Ferdinand de Rothschild in the late 19th century to house his art collection.
* This article was originally published here
Civil Design Engineer | LNR Consultancy
Russell Brand denies 'very hurtful' sexual abuse allegations
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Russell Brand denies 'very hurtful' sexual abuse allegations
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